On July 28, 1952, the Cincinnati Reds fired manager Luke Sewell. Sewell was then replaced by the recently released skipper of the St. Louis Browns, Rogers Hornsby, who was fired due to a disagreement with Bill Veeck over an incident against the Yankees. The Reds went 27-23 for the rest of the season.
In August 1976, the Chicago White Sox wore shorts for three games. A friend shared this video with me, wondering if I had known this little tidbit, which I did not (learn something new every day!).
1976 marked the return of owner Bill Veeck, who had previously served as Sox owner from 1959-61. Keeping in line with his reputation as a promoter with wild ideas, on March 9, 1976, Veeck unveiled the new White Sox uniforms. They featured a long pullover top with a garish faux collar. But what really got people’s attentions were the shorts.
About the shorts, Veeck insisted, “They are not garish. Like my wife Mary Frances said, they have understated elegance. … Players should not worry about their vanity, but their comfort. If it’s 95 degrees out, an athlete should be glad to put on short pants and forget his bony knees. Hell, I’ve got a worse looking knee than any of my players. It’s solid wood.”
The shorts debuted on August 8th, in Game 1 of a doubleheader against the Royals at Comiskey Park. The White Sox collected seven hits — all singles — and won the game 5-2. They switched back to regular pants for Game 2 of the doubleheader and lost 7-1. The shorts would not appear again until later that month, on August 21-22 against the Orioles. In total, the White Sox won 2 out of 3 games played in the shorts.
The video below shows footage from the game against the Royals, in which the shorts made their infamous debut.
To give one can of beer to a thousand people is not nearly as much fun as to give 1,000 cans of beer to one guy. You give a thousand people a can of beer and each of them will drink it, smack his lips and go back to watching the game. You give 1,000 cans to one guy, and there is always the outside possibility that 50,000 people will talk about it.
Baseball is the only thing besides the paper clip that hasn’t changed.
The Seventh Inning of Baseball: A Film by Ken Burns takes us into the 1950s in America. Subtitled “The Capital of Baseball,” this installment of the documentary revolves primarily around New York City and the three teams who dominated the baseball world during this decade: the New York Yankees, the New York Giants, and the Brooklyn Dodgers. For ten straight years (1947-1956) a local team always played in the World Series, and a local team won nearly all of them as well.
It was certainly a great decade for the Yankees under manager Casey Stengel. With Mickey Mantle in the outfield and Yogi Berra behind the plate, the Yankees were as dominant as ever. The way Roger Angell describes the atmosphere in New York during this period, where everything seemed to revolve around baseball, makes me wish this type of world would come back into existence. “Stengelese” became a thing, though I like how the discussion also revolves around Stengel’s baseball intelligence. Similarly, while Yogi Berra remains most commonly known for “Yogi-isms,” he was also a phenomenal ballplayer. After all, you don’t get elected to the Baseball Hall of Fame just for speaking amusing phrases.
Jackie Robinson, released from his three-year vow of silence with Branch Rickey, began lashing out against those who slighted him. It’s an understandable reaction, especially considering how long he had to go without answering the racism he faced. His play just grew better with his anger, leading the Dodgers to some great seasons, including a World Series championship in 1955.
We get to watch the Giants’ Bobby Thomson’s ever-popular “Shot Heard ‘Round the World” during the 1951 playoffs against the Brooklyn Dodgers. It was an event that ignited a tremendous amount of excitement not only at the Polo Grounds, but also in fans’ homes as the game was televised across the country. I always get a kick out of hearing Russ Hodges’s excited screaming, “The Giants win the pennant! The Giants win the pennant! The Giants win the pennant!”
A good portion of the disc was devoted to Mickey Mantle, who essentially took Joe DiMaggio’s place with the Yankees. The attention he receives is well-deserved, as is the attention to his struggles with injury and his tendency to stay up all night partying. Given how well he was able to play in spite of being hurt much of the time, one can’t help but wonder what Mantle would have accomplished had he been healthy. Sadly, we’ll never know. Mantle himself doesn’t even touch on the subject in his own discussions of his playing days on the documentary.
While the breaking of the color barrier by Jackie Robinson in 1947 was undeniably a great thing for baseball, it did have an unfortunate downside. Attendance at Negro Leagues games fell as black fans flocked to watch Robinson and those who followed him play in the major leagues. On the positive side, players including Willie Mays, Curt Flood, Ernie Banks and Hank Aaron became stars in Robinson’s wake. We get to watch Willie Mays make “The Catch,” a play that seemed impossible until he pulled it off.
The other unfortunate events, besides the end of the Negro Leagues, that we see during this decade involved the move of the Brooklyn Dodgers and the New York Giants to the west coast. In the case of the Dodgers, the move took place in 1957, not long after the team finally managed to win a World Series, which made the move all the more heartbreaking for its fans. The Dodgers’ last ever World Series in 1956 saw them lose to the Yankees in a Series that involved Don Larsen’s perfect game. These moves were great news for Californians, of course, but Dodgers and Giants fans left behind in New York found themselves at a loss. Brooklyn and the Giants weren’t the only teams that moved during this period. The Philadelphia A’s moved to Kansas City, and the St. Louis Browns became the Baltimore Orioles.
The subtitle for this Inning, “The Capital of Baseball,” proved itself undeniably fitting. We love to think of baseball as a game and a pastime, but in the case of professional leagues especially, it is first and foremost a business. Bill Veeck’s promotional stunt of sending Eddie Gaedel to the plate is one of many displays of the importance of commercialism in baseball. It makes for a hard reality check when your league is forced to fold or your favorite team moves to an entirely new city, and in the present day, we experience a number of miniature heartbreaks any time an impactful player becomes a free agent and moves on to other teams.
This is a game to be savored, not gulped. There’s time to discuss everything between pitches or between innings.
What we have are good gray ballplayers, playing a good gray game and reading the good gray Wall Street Journal. They have been brainwashed, dry-cleaned and dehydrated!… Wake up the echoes at the Hall of Fame and you will find that baseball’s immortals were a rowdy and raucous group of men who would climb down off their plaques and go rampaging through Cooperstown, taking spoils…. Deplore it if you will, but Grover Cleveland Alexander drunk was a better pitcher than Grover Cleveland Alexander sober.
I have discovered in twenty years of moving around a ballpark that the knowledge of the game is usually in inverse proportion to the price of the seats.
This cartoon makes me think of Eddie Gaedel of the St. Louis Browns, the shortest player in Major League history. Gaedel made only one plate appearance on August 19, 1951 and was walked with four consecutive balls before being replaced by a pinch-runner at first. Supposedly, before sending him to the plate, Browns owner Bill Veeck had warned Gaedel not to lift the bat from his shoulders. If Gaedel found himself tempted to swing, Veeck warned, he need only remember that Veeck would be standing on the roof of the stadium with a rifle trained right on him.
The most beautiful thing in the world is a ballpark filled with people.