This weekend I watched a short documentary produced by Major League Baseball, Pride and Perseverance: The Story of the Negro Leagues. While the time period covered in the documentary spans from Moses Fleetwood Walker playing major league ball in the 1880s on up to the induction of Negro League players into the Baseball Hall of Fame starting in 1971, the documentary focuses primarily on the story of the Negro Leagues.
Dave Winfield narrates the documentary, and it includes footage from Negro League games, as well as some Major League games. It also features interviews with Negro Leagues players, including Buck O’Neil, Bob Mitchell, Willie Mays, John “Mule” Miles, Cool Papa Bell, and Ted Radcliffe. The interviews highlight just how good many Negro Leagues players really were, especially compared to white Major Leaguers, and it’s a lot of fun to see how much these guys light up when they talk about the level of talent.
The documentary touches on the racial struggles faced by black players. For example, many players accepted the fact that they would have to go around to the backs of restaurants to get food, and it was not uncommon to sleep on the bus because the hotels in a given town would not give them rooms. Nevertheless, the players talk about how much fun they had traveling and playing ball. The eventual recruitment of Jackie Robinson by Branch Rickey to break the color barrier, of course, receives due attention.
Overall, Pride and Perseverance is a fantastic overview of the history of the Negro Leagues. For a documentary that runs less than an hour long, it manages to cram a lot of interesting information into the film. It’s definitely worth checking out.
This piece was published in 1996 in Avalanche, a collection of poetry by Quincy Troupe. It is not only a piece from a son to his father, but also a great tribute to the Negro Leagues.
for Quincy T. Trouppe Sr.
father, it was an honor to be there, in the dugout
with you, the glory of great black men swinging their lives
as bats, at tiny white balls
burning in at unbelievable speeds, riding up & in & out
a curve breaking down wicked, like a ball falling off a table
moving away, snaking down, screwing its stitched magic
into chitlin circuit air, its comma seams spinning
toward breakdown, dipping, like a hipster
bebopping a knee-dip stride, in the charlie parker forties
wrist curling, like a swan’s neck
behind a slick black back
cupping an invisible ball of dreams
& you there, father, regal, as an african, obeah man
sculpted out of wood, from a sacred tree, of no name, no place, origin
thick branches branching down, into cherokee & someplace else lost
way back in africa, the sap running dry
crossing from north carolina into georgia, inside grandmother mary’s
womb, where your mother had you in the violence of that red soil
ink blotter news, gone now, into blood graves
of american blues, sponging rococo
truth long gone as dinosaurs
the agent-oranged landscape of former names
absent of african polysyllables, dry husk, consonants there
now, in their place, names, flat, as polluted rivers
& that guitar string smile always snaking across
some virulent, american, redneck’s face
scorching, like atomic heat, mushrooming over nagasaki
& hiroshima, the fever blistered shadows of it all
inked, as etchings, into sizzled concrete
but you, there, father, through it all, a yardbird solo
riffing on bat & ball glory, breaking down the fabricated myths
of white major league legends, of who was better than who
beating them at their own crap
game, with killer bats, as bud powell swung his silence into beauty
of a josh gibson home run, skittering across piano keys of bleachers
shattering all manufactured legends up there in lights
struck out white knights, on the risky edge of amazement
awe, the miraculous truth sluicing through
steeped & disguised in the blues
confluencing, like the point at the cross
when a fastball hides itself up in a slider, curve
breaking down & away in a wicked, sly grin
curved & posed as an ass-scratching uncle tom, who
like old sachel paige delivering his famed hesitation pitch
before coming back with a hard, high, fast one, is slicker
sliding, & quicker than a professional hitman—
the deadliness of it all, the sudden strike
like that of the “brown bomber’s” crossing right
of sugar ray robinson’s, lightning, cobra bite
& you, there, father, through it all, catching rhythms
of chono pozo balls, drumming, like conga beats into your catcher’s mitt
hard & fast as “cool papa” bell jumping into bed
before the lights went out
of the old, negro baseball league, a promise, you were
father, a harbinger, of shock waves, soon come
We read that Walter Johnson could strike out anybody he wanted to strike out and that Cobb never struck out. I could never figure out what happened when Walter Johnson pitched against Ty Cobb.
~ James “Cool Papa” Bell
I remember one game I got five hits and stole five bases, but none of it was written down because they didn’t bring the scorebook to the game that day.
~ Cool Papa Bell