This piece makes me want to go back in time a few months — back to the last days of winter as Spring Training was just getting underway and the threat of the coronavirus still seemed too far away to be of any concern.
We’ll get it back next year.
Late February, and the air’s so balmy
snowdrops and crocuses might be fooled
into early blooming. Then, the inevitable blizzard
will come, blighting our harbingers of spring,
and the numbed yards will go back undercover.
In Florida, it’s strawberry season—
shortcake, waffles, berries and cream
will be penciled on the coffeeshop menus.
In Winter Haven, the ballplayers are stretching
and preening, dancing on the basepaths,
giddy as good kids playing hookey. Now,
for a few weeks, statistics won’t seem
to matter, for the flushed boys are muscular
and chaste, lovely as lakes to the retired men
watching calisthenics from the grandstands.
Escapees from the cold work of living,
the old men burnish stories of Yaz and the Babe
and the Splendid Splinter. For a few dreamy dollars,
they sit with their wives all day in the sun,
on their own little seat cushions, wearing soft caps
with visors. Their brave recreational vehicles
grow hot in the parking lot, though they’re
shaded by live oaks and bottlebrush trees
whose soft bristles graze the top-racks.
At four, the spectators leave in pairs, off
to restaurants for Early Bird Specials.
A salamander scuttles across the quiet
visitors’ dugout. The osprey whose nest is atop
the foul pole relaxes. She’s raged all afternoon
at balls hit again and again toward her offspring.
Although December’s frost killed the winter crop,
there’s a pulpy orange-y smell from juice factories….
Down the road, at Cypress Gardens, a woman
trainer flips young alligators over on their backs,
demonstrating their talent for comedy—stroke
their bellies, they’re out cold, instantaneously
snoozing. A schoolgirl on vacation gapes,
wonders if she’d ever be brave enough
to try that, to hold a terrifying beast
and turn it into something cartoon-funny.
She stretches a hand toward the toothy sleeper
then takes a step back, to be safe as she reaches.
This poem by Gail Mazur was first published in 1978. It speaks a lot to society and relationships, and it all revolves around the sights of a baseball stadium at game time. I love the lines, “this is not a microcosm, not even a slice of life.” I think that bit sums up the whole piece.
for John Limon
The game of baseball is not a metaphor
and I know it’s not really life.
The chalky green diamond, the lovely
dusty brown lanes I see from airplanes
multiplying around the cities
are only neat playing fields.
Their structure is not the frame
of history carved out of forest,
that is not what I see on my ascent.
And down in the stadium,
the veteran catcher guiding the young
pitcher through the innings, the line
of concentration between them,
that delicate filament is not
like the way you are helping me,
only it reminds me when I strain
for analogies, the way a rookie strains
for perfection, and the veteran,
in his wisdom, seems to promise it,
it glows from his upheld glove,
and the man in front of me
in the grandstand, drinking banana
daiquiris from a thermos,
continuing through a whole dinner
to the aromatic cigar even as our team
is shut out, nearly hitless, he is
not like the farmer that Auden speaks
of in Breughel’s Icarus,
or the four inevitable woman-hating
drunkards, yelling, hugging
each other and moving up and down
continuously for more beer
and the young wife trying to understand
what a full count could be
to please her husband happy in
his old dreams, or the little boy
in the Yankees cap already nodding
off to sleep against his father,
program and popcorn memories
sliding into the future,
and the old woman from Lincoln, Maine,
screaming at the Yankee slugger
with wounded knees to break his leg
this is not a microcosm,
not even a slice of life
and the terrible slumps,
when the greatest hitter mysteriously
goes hitless for weeks, or
the pitcher’s stuff is all junk
who threw like a magician all last month,
or the days when our guys look
like Sennett cops, slipping, bumping
each other, then suddenly, the play
that wasn’t humanly possible, the Kid
we know isn’t ready for the big leagues,
leaps into the air to catch a ball
that should have gone downtown,
and coming off the field is hugged
and bottom-slapped by the sudden
sorcerers, the winning team
the question of what makes a man
slump when his form, his eye,
his power aren’t to blame, this isn’t
like the bad luck that hounds us,
and his frustration in the games
not like our deep rage
for disappointing ourselves
the ball park is an artifact,
manicured, safe, “scene in an Easter egg”,
and the order of the ball game,
the firm structure with the mystery
of accidents always contained,
not the wild field we wander in,
where I’m trying to recite the rules,
to repeat the statistics of the game,
and the wind keeps carrying my words away