The Rookie (2002)

The Rookie movie

Not to be confused with the television series bearing the same name, The Rookie is a film that had been on my to-watch list for a while. It is a story based on the real-life story of Jim Morris who made his Major League debut at age 35. 

The movie begins when Jim Morris is a teenager. Jim’s father serves in the Navy and he moves the family throughout the country, all the while disapproving of his son’s dream of playing Major League Baseball. When the family moves to Big Lake, Texas, Jim is crushed to learn that the town cares nothing for baseball, preferring football instead, and he thus loses out on the opportunity to play high school ball.

Jim does get a chance to continue playing ball when he is drafted by the Milwaukee Brewers. However, a shoulder injury put an end to his dream of making it to the big leagues.

Fast forward a number of years later, and Jim is married with three young children. He still lives in Big Lake, teaching high school science and coaching the high school baseball team, the Owls (a team that, I imagine, he started up himself). The Owls aren’t having a great season, however, largely due to in part to the team’s low morale resulting from little support from the community.

One day after practice, the team catcher offers to play catch with Jim. The catcher is stunned to discover that Jim can still fire an impressive fastball, and it is not long before the rest of the team is let in on the secret. The Owls believe that Jim could possibly pitch in the major leagues and offer him a deal: if the Owls can win district and make the state playoffs, Jim will try out again. Desperate to motivate the team into winning, Jim accepts the deal.

The Owls do end up winning district, and holding up his end of the bargain, Jim shows up to a tryout with the Tampa Bay Devil Rays. The scouts discover that Jim is able to consistently throw a baseball at 98 mph, and Jim is told that he could be signed to a minor league deal. After much deliberation and discussion with his wife, Jim decides to go, and he is assigned to the minor league Class AA Orlando Rays.

Jim moves through the minors quickly, first getting moved to the Class AAA Durham Bulls, and then finally, he is called up to the majors with the Tampa Bay Devil Rays. Coincidentally, the Devil Rays are in Arlington, Texas to play the Rangers at the time Jim gets the call, and he calls his family to let them know the good news. Not only does Jim’s family show up for the game, but the players of the high school Owls team rally much of the town to attend the game, as well. Late in the game, with Tampa Bay losing badly, Jim is called in to pitch to Royce Clayton and end the inning. Jim gets a strikeout against Clayton on three straight fastballs. During postgame interviews, Jim notices his father had also come to the game. Jim’s father admits how special it was to be able to see his son play in the majors and apologizes for not supporting Jim before.

I really enjoyed this film. I love that it is based on a true story (I feel a need to do more reading up on Jim Morris now), and I love how it portrays the conflict between pursuing your dreams and trying to be a responsible adult. Definitely a worthwhile family film.

Major League II

Major League II

I seem to be on a Major League kick lately, though this viewing was prompted by coming across Major League II available for free on YouTube. Released in 1994, this flick serves as sequel to the original Major League. Many of the original cast returned for this installment of the series, including Charlie Sheen, Tom Berenger, and Corbin Bernsen. However, Omar Epps replaced Wesley Snipes in playing Willie Mays Hayes, and a number of new cast members also appear in this film.

In this installment, the Indians have become complacent and arrogant after their success in the previous season/movie and they start losing games due to their poor performance and attitude. For example, Ricky “Wild Thing” Vaughn is so caught up in trying to impress the media and his new girlfriend that he has lost his fastball and his edge. Instead, he begins to rely on ineffective breaking balls, for which he has given nicknames such as “Eliminator” and “Humiliator.” Former voodoo practitioner Pedro Cerrano has converted to Buddhism, which has made him so peaceful and passive that he’s lost his power as a hitter. Willie Mays Hayes has become a movie star and has injured his knee, making him unable to run fast or hit well, and he therefore now fancies himself a power hitter.

Meanwhile, Roger Dorn, the former third baseman, has bought the team from Rachel Phelps, the former owner who wanted them to lose, but he doesn’t have the funds to pay the players or improve the facilities. Additionally, at the end of spring training, manager Lou Brown informs catcher Jake Taylor that he is keeping him on as a coach rather than a player. Jake is upset and rejects the offer at first, but then reluctantly accepts the position.

The team also faces challenges from the newer members of its roster. Jack Parkman is a selfish and arrogant catcher who joins the Indians, but later leaves for their rivals, the Chicago White Sox. Isuro “Kamikaze” Tanaka is a Japanese outfielder who clashes with Cerrano over their cultural differences. Rube Baker is a rookie catcher who has trouble throwing the ball back to the pitcher because he gets nervous.

Faced with no other options, Dorn sells the Indians back to Rachel Phelps. With the Indians positioned in last place, Phelps decides this is the perfect opportunity to revive her dream to try to move the team to Florida. The team continues on in a chaotic, disunified vein that culminates in an all-team on-field brawl that leads to their ejection.

In the end, the Indians manage to overcome their difficulties and take off on a hot streak that allows them to make it to the playoffs, where they face the White Sox in a decisive game. The players have regained their old spark and end the film with a World Series berth.

All in all, I can’t say I enjoyed this film as much as the original. It has its moments, for sure, but it is not the original Major League. It largely mirrors the plot of just about every other sports sequel — a team growing complacent and losing its spark. As someone who enjoys baseball movies in general, I can’t honestly discourage anyone from watching this movie, because a part of me did still enjoy it. Just don’t go in with any expectations that it will match its predecessor.

Little Big League

Little Big League

I never watched Little Big League while I was growing up, and this weekend, I decided it was time to rectify this. Little Big League is a 1994 film that tells the story of Billy Heywood, a twelve-year-old baseball fan who inherits the Minnesota Twins from his grandfather, Thomas Heywood. Thomas’s will states that Billy is the sole owner of the team and that the team executives are to help him until he is old enough to run the team by himself. Billy loves baseball and knows a lot about the game and the players, but he soon realizes that being an owner is not as straightforward as he thought it might be. He clashes with the team manager, George O’Farrell, who tells Billy off, refusing to take orders from a kid. Billy fires O’Farrell, but he can’t find any other manager who is willing to work for someone so young. Seeing no other options, he appoints himself as the new manager, with the approval of his mother and the Commissioner of Baseball.

Unsurprisingly, things are not easy for Billy, especially in the beginning. He has to deal with the skepticism and resentment of the players, the media, and the fans. After a rough first week, Billy finds his stride and encourages the Twins players to have fun, which results in the team starting to win some ballgames. The excitement wears off as the season drags on, however.

Throughout the season, Billy finds himself facing tough decisions, such as trading or releasing players, setting lineups and strategies, and handling conflicts and injuries. He also has to balance his personal life, including his schoolwork and his friends, and he is more troubled than he is willing to admit by his mother’s romance with star first baseman, Lou Collins, who is also his idol and mentor. Billy feels jealous and betrayed by Lou, and he benches him for a minor batting slump. The team, feeling the effects of Billy’s moods, start to lose games and fall behind in the division race.

As things start to fall apart, Billy becomes increasingly agitated, resentful, and anxious. After some heart-to-heart talks with his mother, Billy realizes that he can’t do everything by himself and that he needs to trust and respect his players and coaches. He also realizes that he can’t control his mother’s love life and he decides instead to be happy for her and Lou. He reconciles with Lou and reinstates him as a starter. He also apologizes to his friends for neglecting them and invites them to join him in the dugout for the final game of the season.

The final game is against the Seattle Mariners, who are led by Ken Griffey Jr. (played by himself). The game is very close and exciting, with both teams scoring runs and making great plays. In extra innings, with two outs and two runners on base, Lou comes up to bat against Randy Johnson (also played by himself). Lou hits a deep fly ball to center field, where Griffey makes a spectacular catch at the wall, robbing Lou of a home run and ending the game. The Twins lose 6-5 and miss the playoffs by one game.

Billy is disappointed but proud of his team’s performance. He thanks his players and coaches for their hard work and dedication, but he also announces that he is quitting as manager after the season and that pitching coach Mac MacNally will take his place. He says that he wants to enjoy being a kid again and that he hopes to see them all again someday. The film ends with Billy getting called back out to the field by an appreciative crowd.

I thoroughly enjoyed watching this film. The plot was enjoyable, and Luke Edwards, who plays Billy, did an impressive job in the role. Even though the film as a whole is, of course, on the cheesy, sentimental side (it is a kids movie, after all), it also does a good job of showing how the pressures of adulthood can mount on a kid, especially a kid who takes on the responsibilities of running a Major League Baseball team. Definitely a worthwhile family movie.

Major League: Back to the Minors

major league back to the minors

Released in 1998, Major League: Back to the Minors is the third installment of the Major League series, and last night, I sat down to take in the show. I haven’t yet seen Major League II, so that’s on the list for future viewing, but Back to the Minors is a standalone installment, so it didn’t impact my understanding of things to skip to this one.

The movie stars Scott Bakula as Gus Cantrell, a veteran pitcher for a minor league team, the Fort Myers Miracle. After Gus gets ejected from a game for pulling the “frozen ball trick,” Roger Dorn, the owner of the Minnesota Twins, recruits Gus to be the manager of the Buzz, the Twins’ AAA minor league affiliate.

Much like the Cleveland Indians of Major League, the minor league Buzz is a team filled with dysfunctional players, including Lance “The Dance” Pere (a ballet dancer turned ballplayer), pitcher Hog Ellis, and pitcher Carlton “Doc” Windgate, a medical school graduate who throws a fastball so slow, it doesn’t even register on the radar gun. Even Pedro Cerrano, of Major League fame, now plays for the Buzz. The star of the team is home run hitter Billy “Downtown” Anderson, who suffers from supreme arrogance due to his success at the plate. Gus makes it his mission to help Downtown become a more well-rounded, and humbler, ballplayer.

Gus also has a rivalry with Leonard Huff, the arrogant manager of the Minnesota Twins. Huff challenges Gus to a game between the Buzz and the Twins, which ends in a tie after Huff turns off the stadium lights to prevent potential embarrassment. Huff then invites Downtown Anderson to play with the major league team, but Downtown fails against major league pitching and returns to the Buzz, admitting to Gus that he should’ve listened to him more.

Gus leads the Buzz to a division title and challenges Huff again, this time with his job on the line. The Buzz manage to defeat the Twins, and Gus is offered the opportunity to become manager of the Twins. Gus declines, however, opting to stay with the Buzz.

All in all, I enjoyed this flick. It’s not as good as the original Major League, but no sequel is ever as good as the original. It’s definitely not high art, but I didn’t expect it to be, and it makes for an amusing and relaxing evening.

Moneyball (the movie)

Moneyball movie

I re-watched Moneyball this weekend, the movie based on the book by Michael Lewis with the same title. Moneyball tells the story of Billy Beane and Peter Brand during the 2002 season, and how they used a sabermetric approach to build a winning team on a limited budget.

Following the 2001 season, the Oakland A’s lost Johnny Damon, Jason Giambi and Jason Isringhausen to free agency, and general manager Billy Beane, played by Brad Pitt, finds himself needing to replace them. During a scouting trip to Cleveland, Beane meets Peter Brand (played by Jonah Hill), a Yale economics graduate who impresses Beane with his statistical analyses of ballplayers.

With Brand’s help, Beane built a low-budget team by focusing on players’ stats, such as on-base percentage. The start of the season was predictably rough, with the A’s finding themselves ten games back. Beane convinces team owner Stephen Schott to stick with the plan, and Beane then trades Giambi to the Phillies for John Mabry and Carlos Peña to the Tigers, leaving manager Art Howe no choice but to use the team Beane and Brand have designed. Three weeks later, the Athletics are only four games behind first.

The A’s launch into a winning streak that culminates in a dramatic victory over the Kansas City Royals, in which the A’s achieve a then record-breaking 20th consecutive win.  The team falls short in the playoffs, however, when they lose to the Minnesota Twins in the ALDS.

Recognizing that sabermetrics is the future of baseball, Boston Red Sox owner John Henry first hires Bill James to the organization, then offers Billy Beane a $12.5 million salary to join Boston as well. Peter Brand tries to persuade Beane that he is worth the offer, however, not wanting to leave his daughter behind, Beane ultimately turns it down to stay with Oakland.

As a movie, I enjoy Moneyball. It’s dramatic, emotional, and there’s lots and lots of baseball. It sheds light on the idea behind sabermetrics. Critics argue that the movie is not an entirely accurate depiction of real-life events, excluding key players and portraying various relationships in a slanted light. It seems to me that the transition from real-life-story-to-movie presents the same challenges as book-to-movie situations: there’s just no way to be 100% true to the original without creating an hours-long film. As with any movie based on real life (or on a book), it’s worth doing your own research on the side in addition to enjoying the cinematic experience.

Quote of the day

You know we just don’t recognize the most significant moments of our lives while they’re happening. Back then I thought, well, there’ll be other days. I didn’t realize that that was the only day.

~Moonlight Graham in Field of Dreams

Moonlight_Graham
Moonlight Graham, 1905 (public domain)

Bottom of the 9th

I came across this movie, Bottom of the 9th, during my last trip to the library and decided I’d go ahead and check it out. This flick stars Joe Manganiello as Sonny Stano, once an up-and-coming star in the Yankees organization who finds himself spending 17 years in prison when an altercation results in the death of another young man.

The main plot of the film takes place following Stano’s release from prison back onto the streets of the Bronx. He is noticeably older-looking than the young man who had once been sentenced to prison, with a larger, more muscular build and hair graying at the temples. He is plagued with guilt over the mistakes from his youth and is determined to walk a straighter path going forward.

Stano begins his life after prison working in a fish market, but hates the work. He is drawn back to baseball and the Empires, a minor league affiliate of the Yankees. Before long, Stano quits his job at the fish market in order to join the staff of the Empires.

It quickly becomes apparent to the coaching staff of the Empires that Stano, in spite of his age and his time away from the game, still possesses no small amount of baseball talent. Stano is soon added to the Empires roster, much to the dismay of the other players on the team, the fans, and the media. Unsurprisingly, he suffers criticism over his past, every little move he now makes, and every statement he speaks.

From here, the movie is essentially a cliché redemption story (but if you’re not familiar with such cliché stories, stop reading here). Stano proves himself on the field, most people’s opinions eventually turn in his favor, he gets the girl, and he impresses the scouts from the Yankees organization who are considering calling him up to the big leagues.

Overall, this movie’s not bad. It’s not a magical home run classic baseball movie — there are no surprising twists in the story, no sitting-on-the-edge-of-your-seat moments of suspense. It’s mostly a laid back and predictable feel-good story.

The Fan


Thefanmovieposter

I first watched The Fan a few years ago, at the suggestion of a (now ex-) boyfriend. This weekend, I decided to sit down and take the movie in again. The Fan stars Wesley Snipes as Bobby Rayburn, an MLB star slugger, as well as Robert DeNiro as Gil Renard, a knife salesman and baseball fan who is absolutely obsessed with Rayburn.

Bobby Rayburn has just signed a $40 million contract with the San Francisco Giants — a development that has garnered a lot of scrutiny regarding whether Rayburn actually deserves such an exorbitant salary. Rayburn covets the jersey number 11, which is currently worn by teammate Juan Primo. However, Primo has his own long history wearing the number and is unwilling to give it up so Bobby can wear it. Rayburn’s performance as the season gets underway, meanwhile, is less than stellar, and fans grow critical of his contract.

Gil Renard, meanwhile, finds himself in conflict with his ex-wife, and when he leaves their son alone at a Giants game to attend a sales meeting, his ex obtains a restraining order against him. Shortly thereafter, Gil also gets fired from his job after threatening a client. These events send Gil into a tailspin, and his obsession with Bobby Rayburn intensifies. Gil begins stalking Bobby.

Believing that Rayburn’s struggles are due to not being able to wear his favorite jersey number, Gil decides to confront Primo himself. Primo shows Gil his shoulder, branded with the number 11, and says that it is his number. A struggle ensues, and Gil stabs Primo to death. Bobby Rayburn is suspected of the murder, at first. Nevertheless, his performance on the diamond improves, and Gil believes that what he did benefited Rayburn and the Giants.

While stalking Rayburn at his home on the beach, Gil rescues Rayburn’s son, Sean, from drowning. Bobby Rayburn, of course, is grateful to Gil and invites him into their home. Gil convinces Bobby to play catch with him on the beach, and in the conversation that follows, Bobby says he stopped caring about the game after Primo’s death, because he realized there were more important things in life. He also tells Gil that he has lost respect for the fans, remarking on their fickle nature. Gil takes offense to these comments, believing Bobby is ungrateful for the favor Gil has done for him in killing Primo.

Gil kidnaps Bobby’s son, Sean, and in a tense phone conversation between the two, Gil directs Bobby to his freezer, where Bobby discovers the patch of Primo’s skin with the number 11 brand. The movie climaxes in a showdown between the two men on the baseball diamond, in the midst of a downpour.

This film is definitely more appealing as a thriller than as just a baseball movie. I enjoy thrillers, so I find that I like this movie quite a bit. If that is also your cup of tea, then you might find The Fan an appealing option. If you’re looking for a true baseball movie, however, maybe skip this one.

A Little Inside

A Little Inside

A Little Inside is not a very well-known movie — or, at least, I only recently became aware of it, and the film was released in 1999. It features a number of lesser-known actors, plus a young Jared Padelecki and Jesse Eisenberg’s kid sister, Hallie.

The movie tells the story of Eddie Mills, a former minor league ballplayer who gives up the game upon his wife’s death to raise his daughter, Abby. Life as a single dad proves challenging for Eddie, who struggles to understand what little girls like or need. As much as Eddie wishes Abby would follow in his footsteps as a baseball player, Abby instead develops an interest in ballet.

Realizing that he misses the game, Eddie decides to return to baseball with the Columbus Clippers — after five years away. Eddie’s coaches are understandably hesitant about his return, but Abby, despite her lack of interest in playing the game, is excited about her father’s comeback. Unfortunately, his relationship with his daughter finds itself on the rocks when Eddie tells her she can’t go on the road with him until school is out. While Eddie is on the road, Abby stays with the Mills’ neighbor, Nancy.

Eddie’s teammates, all much younger than he is, are not too thrilled with the team’s newest addition. They mostly give him the cold shoulder, at least until he starts to see some playing time and proves his ability to contribute to the team’s success. Suddenly, Eddie finds himself getting called up to the Yankees.

Eddie gets the opportunity to play three innings for the Yankees, no doubt the highlight of his baseball career. However, the experience continues to prove hard on Eddie’s relationship with Abby, and Eddie gives up his baseball career for a second time.

This is definitely more of a feel-good movie than it is a true baseball movie — there is just enough baseball to keep a fan engaged, if you’re interested in checking it out. The flick won’t knock your socks off, by any means. As far as movies go, it’s honestly pretty mediocre and predictable. But it makes for a good family-night film, and sometimes, that can be kind of nice.