Here’s a movie I watched as a kid, but not since then — until last night. I finally had the opportunity to sit down and enjoy the 1989 comedy classic, Major League, this time as an adult. I was young enough the first time I watched this movie that I couldn’t really remember the core plot line. Perhaps the thing I remembered most from that first viewing was singing along to “Wild Thing” when Ricky Vaughn took the mound in the division championship game.
My memory did get jogged with regards to some other details. Pedro Cerrano shaving his own head with a massive knife (or a small sword?) had me nodding in recognition. Not to mention the snakes and the almost-chicken-sacrifice. And Willie Mays Hayes dropping to do pushups at the plate during spring training also brought a reminiscent chuckle to my lips.
One thing I did not recall, likely because I was too young to understand it the first time around, was how the new team owner deliberately sought to screw the team over. But, as with any great sports movie, how could I ever forget the Indians’ miraculous winning performance as the season progressed? I definitely appreciated this movie so much more this time. Understanding what is going on can make such an impact.
As for final thoughts, I certainly would not mind enjoying this clip during the seventh inning stretch of the next ballgame I attend, whenever that might be:
I re-watched Bull Durham last night, and while I’ve made reference to the movie a number of times in this blog, I am a bit stunned that I have not yet devoted a post to it. I watched The Shawshank Redemption a few weeks ago, which got me thinking about the younger Tim Robbins’s performance in this classic baseball flick. It had been a while since I last watched Bull Durham, and it’s a bit stunning to see the younger Kevin Costner and Susan Sarandon, as well.
While the semi-pornographic nature of the film is a bit of a turnoff for some folks (pun intended), one can’t deny that this movie is chock full of some pretty fantastic baseball speeches. Some make one nostalgic about the game:
Others amuse the hell out of me:
Grand speeches aside, I also really enjoy the individual dialogues a lot of the characters have with themselves: Crash talking to himself at bat, Nuke talking to himself on the mound, and Annie’s narration over the entire movie. The film romanticizes the experience of minor league baseball a little too much, I think, but really, it’s just a fun film to take in as a baseball fan.
This video came up on my YouTube suggestions (surprised? nah…). If you’ve ever wondered what happened to the kids who played the in the movie The Sandlot, here’s a tiny glimpse at a few of their careers following the film.
I know the whole situation with COVID-19 and the suspension of baseball has us all down in the dumps right now, and learning of Tom Hanks’s positive diagnosis with the virus isn’t helping matters. I’m struggling with the state of things myself these days, not just as far as baseball is concerned, but also in how this situation has impacted so many other areas of my life, and I’m certainly not alone in that.
So in an effort to help myself and anyone else who needs it to keep our chins up, here is Tom Hanks as Jimmy Dugan to remind us that there is no crying in baseball.
There are 108 beads in a Catholic rosary. And there are 108 stitches in a baseball. When I learned that, I gave Jesus a chance.
The audio of this includes clips from the movie The Natural, and while it has been a while since I last watched the film, I’m fairly certain this song was not a part of that soundtrack. But it is pretty catchy all the same, and the images in the video are pretty fun to watch through.
I have had Hardball on my list of movies to watch for awhile. Finally I made a point to get my hands on a copy of the DVD, which I popped into the player to watch one evening this past week.
Mere minutes into the movie, I realized, “Oh, wait, I’ve seen this before.” I had watched Hardball with my brothers shortly after it first was released, but it has been so long that I had forgotten the name of the movie, or even who starred in it. But I remembered the plot very clearly.
Funny how memory works.
Keanu Reeves plays Conor O’Neill, a gambler who finds himself severely in debt with two bookies. In order to repay the debts, he is receives and offer from a friend in the corporate world, in which he must coach a baseball team of troubled African-American fifth grade kids from the projects in exchange for $500 each week. Desperate for the money, Conor agrees.
However, Conor doesn’t really care about coaching the kids — at least, not at first. He shows up at the first practice to be greeted by a group of smart-mouthed, street-smart youngsters who struggle when it actually comes to playing the game. Various outside forces threaten the team’s season — a teacher (Elizabeth Wilkes) who won’t let a couple boys play until they finish their book reports; an opposing coach going out of his way to try to undermine them; and so on — and Conor realizes that if he is to receive his $500 a week, he needs to keep the season alive.
After agreeing to help ensure the boys’ book reports get done, Conor starts to take practices more seriously. He convinces the boys on the team to stop trashtalking one another and to start actually behaving like teammates. While they lose their first game in embarrassing fashion, Conor still treats the team to pizza, which helps to foster a greater sense of camaraderie between the boys. Finally the team starts winning some games, and Conor works to cultivate a romantic relationship with the teacher, Elizabeth Wilkes.
Throughout the season, both Conor and the team endure a series of highs and lows, during which Conor, at one point, even announces that he’s done with the team. However, he realizes that he has come to care about the boys too much, and after winning a large bet to dig himself out of his debts, he instead vows to give up gambling and takes the boys to see their first-ever Major League Baseball game.
Just after winning the game that qualifies them for the championship, the team’s youngest player, known as G-Baby, is killed by a stray bullet from a gun fight outside his home. The team decides they still want to continue on and play the championship game in his honor.
As I mentioned, I enjoyed this movie the first time I had watched it, and I’m happy to say I enjoyed it just as much this time around. It’s a heart-warming flick that can be pretty eye-opening when it comes to realizing just how good so many of us have it in our own lives, compared to life in the inner city.
This appears to be a clip from a movie sharing the same name as the song, Take Me Out to the Ball Game. I’ve never seen the movie, but after watching this rendition of the song (not to mention the tap dancing!), I may have to seek out a copy.
I have been on a bit of a musical kick lately, no doubt due partly to having seen The Book of Mormon performed a couple weeks ago. And so long as I have been in the mood to take in musicals, I figured it was about time that I sit down and watch Damn Yankees!
The film was created in 1958, based on the 1955 Broadway musical Damn Yankees! The protagonist of the tale is a man named Joe Boyd, an older gentleman when the movie begins, and a deeply devoted Washington Senators fan. Unfortunately for Joe, the Senators are not very good. One evening, having witnessed yet another loss by his beloved team, Joe rashly declares that he would sell his soul to the devil to see his team beat the Yankees. His declaration is heard by a man called Applegate, who tells Joe that not only can he make this wish happen, he can also arrange for Joe himself to be the team’s hero. All for the low, low price of one soul, of course. Joe, however, manages to arrange an “escape clause,” through which he would be able to exit the contract and return to his current life on September 24th.
This means, however, that Joe must leave his wife, Meg, behind for the duration. While Joe sings his heartfelt goodbye to Meg, Applegate works his magic and transforms Joe into a 22-year-old version of himself, calling him Joe Hardy (in addition to playing baseball, Joe will now be solving mysteries with his brother Frank!) and telling folks that Joe is from Hannibal, Missouri.
Joe and Applegate arrive at the Senators’ next practice, where Joe puts on an impressive show, especially with his bat. Joe is signed to a contract with the team. Meanwhile, sportswriter Gloria Thorpe nicknames him “Shoeless Joe from Hannibal, Mo,” and she expresses her determination to bring Joe a lot of publicity.
Joe leads the Senators on a long winning streak and becomes a hero. He misses his wife terribly, however, and finally goes and convinces Meg to take in Joe Hardy as a boarder. Applegate is concerned that this turn of events could ruin his plans, however, so he summons his demonic right-hand girl, Lola. Lola was once known as the ugliest woman in Providence, Rhode Island, until she sold her soul to Applegate for youth and beauty. Applegate orders her to make Joe forget his wife, a task Lola is certain she can carry out. She receives quite a surprise, however, when she discovers that Joe loves his wife so much that he does not fall for Lola’s attempts at seduction.
Coming upon the end of the season, the Senators are on the verge of overtaking the Yankees. The sportswriter Gloria Thorpe, meanwhile, returns from Hannibal, Missouri, where no residents remember anybody named Joe Hardy, and she confronts Applegate about Joe’s real identity. Applegate implies that Joe is actually Shifty McCoy, a corrupt minor leaguer playing under a different name. Word gets out, and headlines erupt, accusing Joe of being Shifty. Joe is now required to meet with the baseball commissioner for a hearing or else get thrown out of baseball. The meeting just happens to fall on September 24th, the day he is scheduled to make his request to switch back to being Joe Boyd.
At the hearing, Meg and her friends arrive as material witnesses, testifying to Joe’s honesty and falsely claiming he grew up with them in Hannibal. The commissioner acquits Joe, but as the celebrations ensue, midnight strikes and Joe realizes he has missed his chance to escape from his deal with Applegate.
We learn that Applegate has planned for the Senators to lose the pennant to the Yankees on the last day of the season, resulting in thousands of heart attacks, nervous breakdowns, and suicides of Senators fans and Yankee-haters all over the country. However, Lola is now firmly on Joe’s side, and she lets Joe know she’s drugged Applegate so that he will sleep through that final game. By the time Applegate wakes up again, the game is well underway. Angry, Applegate turns Lola back to an ugly woman, and the two race to the ball field.
I should probably stop there, in order to avoid spoiling the rest of the story for anyone who has yet to see it. Overall, I found the movie quite amusing, even if a bit cheesy. The combination of baseball and comedy made it worth my while, I felt, and I do like that one doesn’t necessarily have to be a baseball fan in order to be able to appreciate the plot of the film.
A couple months ago, I watched The Sandlot: Heading Home, mentioning here that I had actually been looking for The Sandlot 2 when I stumbled upon that third installment of the series instead. This weekend, I finally did manage to get my hands on a copy of The Sandlot 2.
This chapter of the Sandlot series follows the typical formula of all the movies in the collection. There is the group of main characters comprising the beloved sandlot team, including a leader, a nerdy kid, a chubby kid, and a ladies’ man. There is a rival, cocky Little League team that challenges the sandlot team and engages in a name-calling contest with them. And the primary conflict of the film revolves around a battle for the sandlot itself.
The Sandlot 2 introduces us to Johnnie Smalls, who, we eventually learn, is the younger brother of the one and only Scotty Smalls. Johnnie is the narrator of the story and proves himself just as nerdy as his big brother, spending his time playing with model rockets. The leader of this story’s sandlot team is David Durango, who also finds himself battling puberty and his sudden interest in girls.
One girl, in particular, is Hayley Goodfairer. In addition to being attractive, Hayley proves herself a particularly talented softball pitcher. At first, the boys of the sandlot are miffed when Hayley and her friends start using the sandlot to play softball, but after a couple of contentious face-offs, the boys and the girls agree to join together into a single team.
We learn that the Beast, Hercules, has passed away, but not before leaving behind some puppies. One of those puppies grew into the newest sandlot terror, known as “The Great Fear.” As Scotty’s younger brother, Johnnie knows all about the Beast and the Great Fear, and passes the legend onto the sandlot’s latest tenants.
Like his big brother, Johnnie gets himself into a bit of a pickle. But instead of a baseball, he launches a rocket that does not belong to him, and it lands on the other side of the fence, in the territory belonging to the Great Fear. The sandlot kids rally, but as before, nothing seems to work to get the rocket back. Finally, the Benny Rodriguez of this tale, David Durango, decides to step up, facing his own fears as he hops the fence to take on the Great Fear. James Earl Jones reprises his role as Mr. Mertle, which is certainly a treat for fans.
Aside from the inclusion of girls in the new team, there’s very little in this movie that the original Sandlot doesn’t already offer. If you’re an especially big fan of the Sandlot and you don’t mind the cheesiness of it all, this is still an entertaining way to pass a couple hours, and it is chock full of nostalgia. If you’re looking for something new, however, maybe pass on this one.