Babe Ruth made his National League debut on April 16, 1935 at Braves Field in Boston. A band played “Jingle Bells” (I wonder whose idea that was?) as snow fell with near-freezing temperatures enveloping the field. Ruth hit a homer and a single off Giants’ legend Carl Hubbell as the Braves beat New York, 4-2.
Joe Morgan signed a one-year deal with the Giants on February 9, 1981 at the age of thirty-seven. He would go on to play the 1982 season with the Giants as well, winning the Silver Slugger award at second base for the National League.
Stan Musial became the first player signed to a six-figure contract in National League history on January 29, 1958 when he signed a $100,000 deal with the Cardinals. Musial had been willing to accept less, in spite of winning his seventh batting title by hitting .351 in 1957. The Cardinals, however, felt that he deserved the contract, which represented Musial’s first raise in seven years.
The rule requiring National League batters to wear protective headgear went into effect in 1956, and the American League adopted a similar rule in 1958. However, a number of players began wearing various types of head protection prior to this. Athletics infielder Lamar Newsome, for example, wore a protective insert under his cap in 1939, as shown in the clipping below. Newsome’s insert was made of tape-reinforced felt, but subsequent versions of the insert would be made of lightweight plastic and would become popular with many players.
The Washington Nationals, also known as the Statesmen, were admitted to the National League on January 16, 1886. The Nationals played its home games at the Swampoodle Grounds, going on to win only 28 games of the 120 games played in their first year. The team existed for only four years and compiled a record of 163-337, for a .326 winning percentage.
The Eighth Inning of Baseball: A Film By Ken Burns brings us into the 1960s. In this decade of the American Pastime, we find that it is being recognized less and less as such. Football has risen to prominence, and a lot of folks come to argue that football, not baseball, has now become the true national game. Additionally, the sixties were quite a stormy and unstable period in American history, filled with race riots, activism, anti-war protests, hippies, and Woodstock.
The game of baseball also finds itself experiencing some changes. In 1961, Babe Ruth’s single season home run record is threatened, then broken, by a man who is far from being a fan favorite. Roger Maris is described as moody and sullen, avoids talking to the press, and starts losing his hair as a result of the pressure he is under as he inadvertently finds himself chasing Ruth’s record.
Pitching sees a rise in dominance as the decade progresses, thanks to commissioner Ford Frick’s commandment that the strike zone be expanded to counter the explosion of home runs. Sandy Koufax and Bob Gibson are among those who rise to preeminence from their positions on the mound. As pitching becomes the ruling force in the game, there comes a decline in home runs being hit. This, in turn, contributes to the decline in fan interest in the game.
This time period also sees changes as far as the growth of the league. The success and profitability of the San Francisco Giants and the Los Angeles Dodgers in the west brings the league to consider other ways in which to spread the game throughout the country. Four new teams were added to Major League Baseball. We see the birth of the California Angels, the Washington Senators became the Minnesota Twins, then a newer Senators team moved to Arlington and became the Texas Rangers. The New York Mets and the Houston Colt .45s (later the Astros) also joined the National League. The Braves would move from Milwaukee to Atlanta and the Athletics moved to Oakland. After just one season, the Seattle Pilots left for Milwaukee and became the Brewers, and towards the end of the decade the Royals were established in Kansas City and the Expos in Montreal. (I’m sure I must be missing one or more others here, and for that, I apologize.)
At the beginning of the decade, Ebbets Field met its fate with a wrecking ball painted to resemble a baseball. Jackie Robinson, who had once played at Ebbets, now worked and fought for civil rights, and Branch Rickey, who was the force behind integration in Major League Baseball, passed away in 1965. The Polo Grounds became the home of the New York Metropolitans, led by the one and only Casey Stengel, now getting along in years. Suffices to say, the Mets weren’t very good in those early years. Eventually, Stengel would retire from baseball. After that, the same wrecking ball that took out Ebbets Field would also bring down the Polo Grounds. The Mets moved into Shea Stadium, and by the end of the decade transformed into the “Miracle Mets,” winning the 1969 World Series.
In this inning, we meet Pete Rose and see bits about Ernie Banks, Frank Robinson, Carl Yastrzemski, Whitey Ford, Roberto Clemente, and many, many others. Sandy Koufax seemingly retires almost as quickly as he broke into the league and became the youngest player ever inducted into the Hall of Fame. In Baltimore, Earl Weaver became manager of the Orioles. One of the greatest managers of all time, the Orioles became the dynasty of the decade under Weaver.
In this decade, we also meet Marvin Miller. Miller became the Executive Director of the Major League Baseball Players Association in 1966. The players loved having Miller speaking on their behalf, but baseball owners, unsurprisingly, hated having Miller around. He was a man who Red Barber would call “one of the two or three most important men in baseball history.”
By the end of the disc, we learn about Curt Flood’s battle against the reserve clause, which at this point is only just beginning. Flood learned that he was to be traded from St. Louis to Philadelphia, and in the face of the racism he knew he would face in Philadelphia, he decided to oppose the trade. This flew in the face of the entire history of baseball business.
I think my favorite feature of this disc comes in all the arguments defending baseball. In spite of George Carlin’s comedy routine that makes baseball seem like a slow, sissy sport, baseball continues to be referred to as America’s National Pastime for good reason. Sure, football is faster and perhaps more suitable to the 30-second attention span that now dominates our culture (though, more recently, football also seems to be declining in popularity). But baseball’s place in the American psyche runs deep, and in a lot of ways, it is the very nature of its leisurely pace that makes it so appealing.
In our sun-down perambulations, of late, through the outer parts of Brooklyn, we have observed several parties of youngsters playing base, a certain game of ball…Let us go forth awhile, and get better air in our lungs. Let us leave our close rooms…the game of ball is glorious. ~Walt Whitman
Thus begins the first disc of Baseball: A Film By Ken Burns. This is a series that I’ve checked out from the library and started watching multiple times, yet never managed to finish. In an effort to change this, I’ve decided to commit myself to writing about each “Inning” of the series here. This way, I have a form of accountability to encourage me to get through the whole thing.
Approximately the first twenty minutes of the first disc serve as kind of a nostalgic, feel-good introduction to the series and the game. Images of Babe Ruth, Christy Mathewson, Jackie Robinson, Ted Williams, and several others flash across the screen to a background of melodic music and various speakers ruminating about what an incredible game baseball is.
The First Inning then begins with the myth of baseball’s founding by Abner Doubleday. Burns describes the story behind Doubleday’s supposed invention of the game, then immediately refutes it, asserting that Doubleday likely never even saw a professional game. Baseball, rather, is most likely a direct descendant of two British sports: rounders and cricket. The game went through multiple variations until the founding of the New York Knickerbockers and the codification of rules by Alexander Cartwright. Henry Chadwick soon appears on the scene and becomes instantly enamored with baseball. Chadwick went on to invent the box score, using statistics to track players’ performances. The National Association of Base Ball Players was then formed to help maintain control over the sport and further codify the rules.
The outbreak of the American Civil War presented a disruption to organized baseball. On the other hand, it also served to help spread the game’s popularity as soldiers returning home at the end of the war took knowledge of the sport with them. In spite of the end of slavery, black teams found themselves banned from organized leagues. Women and girls, also, struggled for the right to play ball, as it was deemed too violent and dangerous for the fairer sex.
Burns chronicles the evolution of baseball from its status as an amateur pastime to a professional sport — a business. It is evident from his focus on the establishment of the reserve clause that Burns intends to delve into the subject further. It only makes sense to do so, of course, given the impact that this clause would have on the occurrence of so many events throughout the game’s history. Burns also puts some attention on gambling, which, as we know, would also impact baseball’s timeline of events.
The First Inning covers the development of the NL, the AA, the Players’ League, and the rise of Albert Spalding. A number of players are introduced, including Cy Young, Cap Anson, King Kelly, and John McGraw. We also meet Moses Fleetwood Walker and the bigotry he faced in the big leagues as a black player. This, followed closely by a discussion of Branch Rickey’s early life, present a foreshadowing recognizable by anyone familiar with the game’s history.
Most histories I have seen covering this period in baseball seem to treat the game with a kind of veneration. Personally, this is perhaps my favorite period in the game’s history to learn about, possibly in part due to this sense of awe that it brings out about baseball. So much of what happens next has already been established, yet there is still something pure and clean about baseball during the 19th century.