I really enjoy reading this poem. It talks about two Yankee greats, Lou Gehrig and Joe DiMaggio, but even better than that, it talks about life and love. Baseball frequently serves as a metaphor for both, and Kittell really does hit it out of the park with this one.
On the scorecard you gave me, I find
the difficult scratchings, the notes and stats
you ask me to read looking
for something about success
Twenty-three times, Lou Gehrig
came to bat for the Yankees
with the bases loaded
and hit a grand slam.
Then I see you’ve added: Shouldn’t love
be that way? Shouldn’t love be
a grand slam every time?
Lou Gehrig played baseball
for seventeen years and everyone knows
he played in most every game. Everyone knows
he played only for the Yankees.
But up in the stands, maybe–like you–studying a program,
sat his wife, sat Eleanor
who watched Gehrig carefully enough
to see when his step
began to falter, to notice how
ground balls hit
him in the chest and his long-armed swing
barely dribbled out
a single. Eleanor Gehrig watched
the Iron Horse dwindle
to ninety pounds and never stopped to say:
“You’re not the man
you used to be,” never told him she saw
the end of the game.
I imagine she only held him
closer at night
and went on.
Joe DiMaggio reached the Show
two years before Lou Gehrig
left, two years before the Iron Horse began
to fade. And what you and I remember first
about Joe was his once
ridiculous coffee ad, or maybe his once
failed marriage to Marilyn Monroe. Just like
we never saw Gehrig play, we never saw
DiMaggio, every day of your life
and more, send roses to a grave, or imagined
her fingers dialing his number, her voice calling
Joe, Joe into the dead air. Joe,
she told him once, you’ve never heard
such cheering! Yes, I have, he said to her quietly.
Yes, I have.
My husband Ron was born in 1951 and 1951
was the last year DiMaggio played. By seventeen,
Ron was the best player in Idaho, the fastest
in the outfield, most solid at first base, and sometimes
wild but always hard
when he took the mound. But our life, it seems,
has turned far from glamorous. We take
our turns, Ron and I, in the stands. I watch him
with you, throwing rocks across a brook and know
the next day his arm
will throb from trying. He watches me
try to toss a good metaphor, one that will zing
and flash at your center. I say:
look deeper into the game, friend. I say:
look deeper into a life, a love.
To make anything last, there’s got to be more
than a grand slam.
There has to be a good coach
to draw the line-up and good men
already on base. There have to be players
in the minors and wives
in the stands. There has to be someone
to say that love
ain’t always perfect, that love
doesn’t always win the game, that love
might not be lots of cheering or a neatly blackened square
on a scorecard.
No, Sherman, love
might be quiet–a fire crackling, birds reappearing
on the edge of lawn, the center of you knowing
that once you slip it on and oil it up,
that old worn glove will feel
than when it was new.
Sometimes a week might go by when I don’t think about that game, but I don’t remember when it happened last.
This poem by Elinor Nauen is a bit longer, but well worth the read. It demonstrates how closely baseball gets associated with Americanism, even to those outside the nation’s borders. I especially love the line, “He goes home because he has nowhere else to go.”
I’ve been sitting at my desk a lot
staring at my father.
It’s a picture taken in summer
a few months before he died.
He’s looking at me
with a wry and knowing
–did he know?–
expression. He looks like a man
who needs a private joke
to get a proper snapshot.
He’s looking straight at me, even as I sit
in a cold May, a little too tired,
the Yanks getting beat 4-1 in the 5th
by Oakland out on the coast,
a lackluster they’ll-never-catch-up game
Rasmussen not getting shellacked
just doesn’t have anything
and neither do the hitters.
Gone native in his Arizona retirement
Dad is wearing a bolo tie and looks shrunken, frail.
I liked to kiss him on the top of his bony head
in the desert mornings.
He took all of us to a game only once, my first, I was ten,
Charlie was eight, Lindsay was twelve
and the baby was left home.
We drove all the way from South Dakota
up to Minneapolis
to see the Twins play the Yankees
Daddy was a refugee from Nazi Germany
and Mom was English.
They were grownups
who’d never seen a game either. They went
because he was the father of Americans
and I was a little baseball fanatic.
Mom sat quietly for about twenty minutes
fanning herself with a straw sunhat and beaming
then asked, when does the game begin?
Look down there, we said.
It was already the second inning
but I still don’t think she spotted it.
I think she was waiting for the play by play.
The familiar radio sounds
so different in the ballpark.
Daddy wore plaid shorts over his white skinny legs
and puffed a cigar.
He began to like baseball
when he found someone
who knew less about it than he did.
He explained it all to Mom
mostly according to his own logic–
He had an accountant’s sense of symmetry
and the diamond pleased him–
the implication of infinity.
The profusion of numbers and their richness
and it was a damn nice summer day.
I think now of those bleachers
old Metropolitan stadium full of stolid Scandinavians
who never corrected him–
that would have spoiled their fun.
Mom would ask: Where’s that chap running off to now?
And Dad would explain:
He goes home because he has nowhere else to go…
My brother and I spent most of the time under the stands
scrapping with baby Twinkies–
Twins fans who didn’t take to our rooting for the enemy.
Charlie thinks he remembers a game-winning
Bobby Richardson grand slam.
I only recall the Yanks winning in the 10th
and the incredibly intense luxury of that lagniappe inning.
Daddy stuck with baseball too.
Like the voting
that made him proudest as a naturalized citizen
he quietly exulted
at being able to talk to his kids
about what they liked to talk about
which was sports. What pleasure
it gave him
to be able to call
(those Sunday calls!–this later
after we’d all left home)
and say, “So, Mattingly’s still leading the league”
or “I see where the Yankees aren’t doing to well.” …
But tonight there’s an amazing comeback
another 10th-inning heroic to call home about
(“I see where the Yankees are going great guns”)
thought it’s a few second basemen later
and the serene and splendid Willie Randolph
who pulls it out for the team.
Edward Charles Ford, better known as “Whitey,” was born October 21, 1928 in Manhattan. Ford spent his entire 16-year career with the Yankees, beginning in 1950 and playing until he retired after the 1967 season. He appeared in 498 career games, compiling 236 wins and a 2.75 ERA. Ford won the 1961 Cy Young Award, was named to 10 All-Star Games, and was a member of six World Series-winning teams. He also won two ERA titles and finished second in Rookie of the Year voting in 1950 behind Boston Red Sox first baseman Walt Dropo. Ford was selected into the Hall of Fame in his second year on the ballot, in 1974, receiving 77.8 percent of the vote. The Yankees retired his No. 16 jersey that same year.
Whitey Ford passed away a couple days ago, October 8, 2020 on Long Island.
Rest in peace.
A team is where a boy can prove his courage on his own. A gang is where a coward goes to hide.
Dr. Gene Budig held a lot of titles over the course of his lifetime. He was a university president at Illinois State University, West Virginia University, and the University of Kansas (one building at KU, Budig Hall, is named in his honor). He was a newspaper executive, an author, a major general in the Air National Guard, and a senior presidential adviser for the College Board.
Gene Budig was also the last President of the American League in the MLB. He served in that role for six seasons, before the position was officially eliminated. In addition, for the last fourteen years, Budig was part-owner of Minor League Baseball’s Charleston RiverDogs, an affiliate of the New York Yankees.
Dr. Budig passed away earlier today, September 8, 2020.
Rest in peace.
I recently finished making my way through Jane Leavy’s biography on the Great Bambino himself, entitled The Big Fella. Like anyone else, I have heard most of the stories, I’m aware of the ballplayer’s legendary status, and as a kid, I memorized the list of nicknames spouted off by the kids of The Sandlot. However, this is the first actual Babe Ruth biography I have ever read.
Fair warning: this biography is quite the tome. It’s not quite War and Peace, but sitting at over 600 pages, it’s not exactly Animal Farm, either. In my opinion, though, the journey through this volume is worth the time. Using the barnstorming tour Babe Ruth took with Lou Gehrig after the 1927 World Series as the framework for the book, Leavy injects details about Ruth’s life and analysis about his personality and character to paint a broad and detailed portrait of the man and the ballplayer.
My favorite feature of this book lies in how human it portrays the Babe. Ruth often gets depicted as this happy-go-lucky, larger-than-life figure who transcends not only baseball, but American culture itself. Not that Leavy ignores this facet of Ruth’s character. In fact, she goes into great detail about how this perception of the Babe pervaded American thought even during his lifetime. Ruth certainly lived large, and the public loved him so much, the press even willingly kept many of his indiscretions quite. When some of those indiscretions did leak out, fans were more than willing to overlook them, finding these to be a part of the ballplayer’s charm.
Leavy’s biography doesn’t focus just on this, however. Ruth’s life, especially as a youth, was not an easy one. The author includes stories about his birth, early youth, his life at St. Mary’s, and his introduction to professional baseball. She also talks about Ruth’s drinking and womanizing, and while she doesn’t forgive the Babe for these, Leavy does juxtapose that side of Ruth with his affinity for playing with and helping kids.
The book also delves deeply into Ruth’s relationship with his manager, Christy Walsh. We get an overview of Ruth’s personal finances, and Leavy demonstrates how much the Babe profited from Christy Walsh’s management. She conveys the impact Ruth and Walsh had on popular culture, foreshadowing the celebrity-obsessed society that followed them and continues to pervade our world today.
Leavy also does a good job giving us a glimpse into the Babe’s shortcomings as a family man and the impact this had on his daughters. There is also a great exploration of Ruth’s life after baseball, including the disappointments he faced as he continuously got turned down for management roles. Leavy goes into detail about his final days, as well, discussing his illness and, ultimately, his death.
Overall, I was impressed. I did, at times, wish that the structure of the book followed a more linear path, rather than bouncing around Ruth’s life the way that it does, but given the amount of research and detail included in these pages, it’s a shortcoming I’m willing to overlook.
I am honestly surprised that I haven’t posted this classic tune yet. Apparently, Joe DiMaggio was actually annoyed by the inclusion of his name in this song, until Paul Simon explained the meaning to him.
“I happened to be in a restaurant and there he was,” recalls Simon in the interview. “I gathered up my nerve to go over and introduce myself and say, ‘Hi, I’m the guy that wrote “Mrs. Robinson,” ’ and he said ‘Yeah, sit down . . . why’d you say that? I’m here, everyone knows I’m here.’ I said, ‘I don’t mean it that way — I mean, where are these great heroes now?’ He was flattered once he understood that it was meant to be flattering.”
The 1939 All-Star Game was held on July 11th at Yankee Stadium in the Bronx, where the American League defeated the National League, 3-1. Two of the three AL runs were driven in by Yankees players (the third was an unearned run scored on an error), including a DiMaggio home run. Indians pitcher Bob Feller, only twenty years old at the time, threw 3.2 scoreless innings to earn the save.
The box score for the game can be found here.
On June 11, 1988, New York Yankees manager Billy Martin decided to use starting pitcher Rick Rhoden as the Yankees’ starting designated hitter. Rhoden went 0–1 with an RBI on a sacrifice fly in his lone plate appearance, batting seventh in the lineup. He was the first pitcher to start a game at DH since the American League’s adoption of the DH rule in 1973. José Cruz would later pinch hit for Rhoden as the Yankees went on to an 8–6 victory over the Baltimore Orioles.