On February 13, 1953, the Philadelphia Athletics renamed their stadium from Shibe Park to Connie Mack Stadium, in honor of the legendary manager. During his fifty-year career as manager for the A’s, Mack led the team to nine American League pennants, appearing in eight World Series and winning five World Championships.
The rule requiring National League batters to wear protective headgear went into effect in 1956, and the American League adopted a similar rule in 1958. However, a number of players began wearing various types of head protection prior to this. Athletics infielder Lamar Newsome, for example, wore a protective insert under his cap in 1939, as shown in the clipping below. Newsome’s insert was made of tape-reinforced felt, but subsequent versions of the insert would be made of lightweight plastic and would become popular with many players.
The Seventh Inning of Baseball: A Film by Ken Burns takes us into the 1950s in America. Subtitled “The Capital of Baseball,” this installment of the documentary revolves primarily around New York City and the three teams who dominated the baseball world during this decade: the New York Yankees, the New York Giants, and the Brooklyn Dodgers. For ten straight years (1947-1956) a local team always played in the World Series, and a local team won nearly all of them as well.
It was certainly a great decade for the Yankees under manager Casey Stengel. With Mickey Mantle in the outfield and Yogi Berra behind the plate, the Yankees were as dominant as ever. The way Roger Angell describes the atmosphere in New York during this period, where everything seemed to revolve around baseball, makes me wish this type of world would come back into existence. “Stengelese” became a thing, though I like how the discussion also revolves around Stengel’s baseball intelligence. Similarly, while Yogi Berra remains most commonly known for “Yogi-isms,” he was also a phenomenal ballplayer. After all, you don’t get elected to the Baseball Hall of Fame just for speaking amusing phrases.
Jackie Robinson, released from his three-year vow of silence with Branch Rickey, began lashing out against those who slighted him. It’s an understandable reaction, especially considering how long he had to go without answering the racism he faced. His play just grew better with his anger, leading the Dodgers to some great seasons, including a World Series championship in 1955.
We get to watch the Giants’ Bobby Thomson’s ever-popular “Shot Heard ‘Round the World” during the 1951 playoffs against the Brooklyn Dodgers. It was an event that ignited a tremendous amount of excitement not only at the Polo Grounds, but also in fans’ homes as the game was televised across the country. I always get a kick out of hearing Russ Hodges’s excited screaming, “The Giants win the pennant! The Giants win the pennant! The Giants win the pennant!”
A good portion of the disc was devoted to Mickey Mantle, who essentially took Joe DiMaggio’s place with the Yankees. The attention he receives is well-deserved, as is the attention to his struggles with injury and his tendency to stay up all night partying. Given how well he was able to play in spite of being hurt much of the time, one can’t help but wonder what Mantle would have accomplished had he been healthy. Sadly, we’ll never know. Mantle himself doesn’t even touch on the subject in his own discussions of his playing days on the documentary.
While the breaking of the color barrier by Jackie Robinson in 1947 was undeniably a great thing for baseball, it did have an unfortunate downside. Attendance at Negro Leagues games fell as black fans flocked to watch Robinson and those who followed him play in the major leagues. On the positive side, players including Willie Mays, Curt Flood, Ernie Banks and Hank Aaron became stars in Robinson’s wake. We get to watch Willie Mays make “The Catch,” a play that seemed impossible until he pulled it off.
The other unfortunate events, besides the end of the Negro Leagues, that we see during this decade involved the move of the Brooklyn Dodgers and the New York Giants to the west coast. In the case of the Dodgers, the move took place in 1957, not long after the team finally managed to win a World Series, which made the move all the more heartbreaking for its fans. The Dodgers’ last ever World Series in 1956 saw them lose to the Yankees in a Series that involved Don Larsen’s perfect game. These moves were great news for Californians, of course, but Dodgers and Giants fans left behind in New York found themselves at a loss. Brooklyn and the Giants weren’t the only teams that moved during this period. The Philadelphia A’s moved to Kansas City, and the St. Louis Browns became the Baltimore Orioles.
The subtitle for this Inning, “The Capital of Baseball,” proved itself undeniably fitting. We love to think of baseball as a game and a pastime, but in the case of professional leagues especially, it is first and foremost a business. Bill Veeck’s promotional stunt of sending Eddie Gaedel to the plate is one of many displays of the importance of commercialism in baseball. It makes for a hard reality check when your league is forced to fold or your favorite team moves to an entirely new city, and in the present day, we experience a number of miniature heartbreaks any time an impactful player becomes a free agent and moves on to other teams.
The Third Inning of Baseball: A Film By Ken Burns explores the game during the 1910s. This disc opens with a discussion of fan involvement, and how the setup of the field during this time period gave fans a greater amount of influence in the events of the game. Fans often spectated standing in foul territory or directly on the field behind the outfielders, allowing them not only to yell at players more effectively, but also to potentially become physically involved in some plays. And it wasn’t just fans rooting for their teams who sought to influence the outcome of games. Gamblers during this time period were heavily involved in the sport.
Connie Mack’s Philadelphia Athletics dominated the first half of the decade. Meanwhile, the saga of Ty Cobb continues, from his 1910 race for the batting title against Nap Lajoie to Cobb’s suspension from organized baseball for beating the snot out of a fan in 1912.
Buck O’Neil, who has contributed to the commentary of the documentary series in the first two innings, was born in 1911, and now discusses his experience with baseball as a boy. Baseball’s “gentleman’s agreement,” however, continued to exclude black players from the game, though teams at times undermined this agreement with light-skinned minority players.
The 1912 World Series between the Boston Red Sox and the New York Giants became an unusual eight-game Series when the second game was called due to “impending darkness.” Game eight of this Series was the one in which Fred Snodgrass dropped an easy fly ball, which allowed hitter Red Sox Clyde Engle to make it all the way to second. Engle would later score, tying the game at 2-2, and Red Sox went on to first load the bases, then score the winning run. Poor Snodgrass joined the ranks of dubious fame with Fred Merkle as a result.
The clouds of scandal appear early with the figure of Hal Chase. His willingness to throw games was so well-known that even fans took to chanting, “What’s the odds,” whenever Chase took the field. Players throughout baseball expressed their own discontent with the reserve clause and the complete control of owners over their contracts. The formation of the Federal League attempted to address this discontent in promising players the opportunity for free agency. The new league only lasted two seasons, however, and the players found themselves still without a voice.
On this disc, we meet pitcher Grover Cleveland Alexander, and we see more of the progression of Branch Rickey’s baseball career. The 1916 World Series went to the Boston Red Sox over the Brooklyn Superbas. The 1917 Series went to the Chicago White Sox over the New York Giants, then Boston returned to win the 1918 Series, this time over the Cubs. When World War I broke out, Major League Baseball as a whole seemingly turned a blind eye. Some players did serve during the war, including Grover Alexander, Ty Cobb, and Christy Mathewson, and Branch Rickey joined the effort as well.
The last half hour of the Third Inning went into detail covering the 1919 Black Sox scandal. I particularly found it fascinating that Burns managed to find a Chicago fan who had been fifteen years old at the time of the scandal. This fan recalled his disbelief that the White Sox had managed to lose the Series, being too young to understand the world of gambling at the time. His shock and disappointment no doubt reflected the feeling of baseball fans everywhere at the time. Though as Buck O’Neil describes at the very end of this disc, while the scandal turned a lot of folks away from the game at the time, it wouldn’t be long before a new hero would draw them back — a man named Babe Ruth.
On October 20, 1910, pitcher Jack Coombs, a.k.a. “Colby Jack,” threw a six-hit complete game to defeat the Cubs, 12-5. The Philadelphia pitcher’s performance came on just one day of rest and gave the Athletics a 3-0 lead in the World Series. Coombs would win three of the A’s four victories in the Series.
In a game against the Indians on June 15, 1925, the Philadelphia A’s found themselves trailing 15-4 going into the bottom of the eighth inning. That inning, the Athletics posted an astonishing 13 runs to take the lead. They held onto that lead in the top of the ninth and won the game, 17-15.
On July 1, 1902, A’s pitcher Rube Waddell became the first American League pitcher to throw an immaculate inning. In the third* inning, Waddell struck out Billy Gilbert, Harry Howell, and Jack Cronin on nine consecutive pitches. He gave up only two hits over the course of the game, facing the minimum 27 batters en route to a 2-0 victory.