If you don’t think too good, don’t think too much.
I have never seen nor heard anything like the story about Ted Williams in this poem, but I do like the idea behind it. As the author comments, it makes for a great story. This piece by Dudley Laufman appeared in Sptiball Magazine in January 2010.
That time there in Warner, New Hampshire,
game between Bradford and Warner,
someone clouted a drive across the railroad tracks
just in front of the afternoon run
of the Concord to Claremont commuter.
Ump made it a ground rule double.
I think I told you this one,
Arlington – Waltham.
Spy Ponder hits one over the tracks
in front of the 6:15 to Lexington,
Watch City outfielder scoots through the underpass,
comes back waving the ball,
wants a ground rule double,
ump says home run.
Yeah, I told you that one.
But get this.
I don’t know if this is true or not,
but it makes a good story.
The Red Sox are enroute Boston-Providence
for an exhibition game in Pawtucket.
Train passes through Sharon or
some little town like that.
Train whistles along the edge of the ball field,
sandlot game, mix of grubby uniforms,
and someone lines one towards the train.
Ted Williams is standing out on the back platform,
reaches out, snags the ball, and keeps it.
Train rumbles on to Pawtucket,
Williams clutching their only ball.
Next day (the Sox stay over),
train headed back to Beantown.
The boys are out on the field
(they found another ball).
The Kid is out on the platform again,
and he throws the ball back,
autographed by all the Bosox.
Fenway Park is the oldest Major League Baseball stadium currently in use. The ballpark has hosted World Series games in eleven different seasons, with the Boston Red Sox winning six of those Series, and the Boston Braves winning one.
Construction on Fenway Park began in September 1911 in Boston, Massachusetts near Kenmore Square. The ballpark opened on April 20, 1912, having cost $650,000 to build. It had a capacity of 27,000 and featured a steel and concrete grandstand extending from behind home plate down the baselines, with wooden bleachers placed in the outfield. The Red Sox played their first Fenway ballgame on that date against the New York Highlanders (Yankees), winning 7-6 in eleven innings. The opening of the new ballpark found itself overshadowed in the news, however, by the sinking of the Titanic just the week before.
In 1914, the Boston Braves played their home games during the World Series at Fenway Park, due to the construction on their own new stadium, Braves Field, still being in progress. The Braves would get the opportunity to return the favor before too long. As any baseball fan will know, Babe Ruth played with the Red Sox prior to his time with the New York Yankees. During his stint in Boston, Ruth helped the Red Sox to World Series titles in 1915, 1916, and 1918. The 1915 and 1916 Series, however, were not played at Fenway Park, but rather at Braves Field, in order to accommodate a larger crowd.
Throughout the late-1910s and into the 1920s, the Boston team struggled financially, a situation that resulted in the sale of Babe Ruth to New York and led to the disrepair of various features of Fenway Park. In 1926, a great fire engulfed the wooden bleachers in left field of the ballpark. However, these bleachers hadn’t seen much use leading up to the incident anyway, due to their dilapidated state. Finally, in 1933, the Red Sox were sold to millionaire Tom Yawkey. Yawkey invested in renovations to Fenway, including the blue, wooden grandstand seats that remain in the stadium to this day.
The Green Monster in left field actually began as a mere ten-foot fence. When he came into ownership of the team, Yawkey opted not to replace the fire-destroyed wooden bleachers in that part of the stadium. Instead, during the 1933-1934 off season, Yawkey rebuilt much of Fenway, including the erection of a 37-foot left field wall, initially covered in advertisements. A scoreboard was also added to Fenway Park in 1934, at the base of the great wall. At the time, the new board was considered a type of advanced technology, and the scoreboard remains at Fenway to this day, with scores continuing to get updated by hand. The wall would actually become the “Green Monster” in 1947 when advertisements were removed from the wall and it received a dark green paint job.
The “Williamsburg” area of the ballpark in right field was named for the legendary hitter, Ted Williams. It is said that the right field bullpen area, constructed in 1940, was built specifically to accommodate Williams’s left-handed swing, pulling the right field wall in closer to home plate. Also found in the right field stands sits a lone red seat. This seat is a nod to the 502-foot home run Williams hit in 1946 — the longest homer in Fenway history.
Light towers were then added to Fenway, and the Red Sox would host their first night game on June 13, 1947 against the Chicago White Sox. It wouldn’t be until 1976 when Fenway saw its next big change, when a $1.5 million electronic scoreboard was added above the stands in center field. Also in 1976, the Green Monster was refurbished, tearing down the old, tin wall and replacing it with a steel reinforced wall of hard plastic.
Private luxury suites were added to the ballpark’s upper deck from 1982 to 1983. Bleacher seats were also replaced with individual seats in order to allow season tickets to be sold to fans for those parts of the stadium. In 1987-1988, a color video board was erected above the center field seats, replacing the old scoreboard, and in 1989, the media level was added. Also in 1989, the 600 Club was constructed, featuring luxurious seats, climate control, and a great view of the field. The 600 Club would be renamed the .406 Club after the passing of Ted Williams in 2002, in honor of his historic batting average from the 1941 season. It would get renamed yet again in 2006 to the EMC Club.
The dugouts in Fenway are the only ones remaining in baseball with support poles in front of the players’ benches. Throughout the stadium, support beams can also be found, even though other clubs around the league have made a point to no longer have these kinds of support beams in their own stadiums. The beams at Fenway result in obstructed views for some fans, yes, however, the vertical poles have remained as a way to maintain Fenway’s old-time aura.
Just prior to the 2003 season, the Green Monster had bar-style seating added to the top of it, which became a major fan draw. That year, box seats were also added right behind home plate. In 2004, another two hundred seats were added to the roof high over right field, featuring tables at which fans get to sit during the game. During the early-2010s, the blue, wooden seats that fill the ballpark were systematically repaired and waterproofed.
From May 15, 2003 until April 10, 2013, the Red Sox sold out 820 consecutive home games at Fenway, which makes it the longest home sellout streak in Major League Baseball history. Fenway has also played host to many other sporting and cultural events, including: professional football games for the Boston Redskins, the Boston Yanks, and the Boston Patriots; music concerts; soccer and hockey games (including the 2010 NHL Winter Classic); and political and religious campaigns.
On March 7, 2012, just ahead of the stadium’s centennial, Fenway Park was added to the National Register of Historic Places.
Time for another Baseball Project tune. This song amuses me, if only because I can just imagine Teddy Ballgame walking around declaring, “I’m Ted Fucking Williams.” This one’s from the Baseball Project’s first album, Frozen Ropes and Dying Quails.
Ted Williams won the American League Most Valuable Player award on November 14, 1946. The award was bestowed upon Williams after having finished second to the Yankees’ Joe DiMaggio (1941) and Joe Gordon (1942). The Splendid Splinter missed the last three seasons due to serving in the military during World War II, but returned to baseball hitting .342 with 38 homers and 123 RBIs.
Baseball is 50% from the neck up.
I managed to watch PBS’s documentary on Ted Williams last night: American Masters – Ted Williams: “The Greatest Hitter Who Ever Lived.” I found the documentary fascinating, even learning a couple things along the way.
The episode opens with Ted Williams’s return to civilian life after the Korean War. After seriously considering spending the rest of his life fishing after the war, Williams opted to return to baseball. Ted Williams, the documentary shows, was so obsessed with baseball, and especially with hitting, that his obsession permeated all aspects of his life. He also was infamous for his temper, often getting into it with reporters and refusing to tip his cap. These things combined made him, at times, a difficult man to get along with, even within his family.
The episode covered, briefly, some details of Williams’s youth, including his strained relationship with his parents. It also touches on many of the things you would expect a Ted Williams documentary to cover, including the 1941 season, his service in two wars, comparisons between him and Joe DiMaggio, and the final season — and at-bat — of his career.
Something I learned — which I was glad about, as I’m always happy to learn new things — was that Ted Williams was also quite the fisherman. According to the documentary, Williams is in two fishing halls of fame (which halls of fame was either not mentioned or I missed it). He was so meticulously detailed about this hobby that he would cut fish open to see what they ate in order to create baits that mimicked those foods. He would then keep a log to determine what worked and what did not work. It was the same kind of obsession and attention to detail that contributed to his success as a hitter.
The documentary includes interviews with Williams’s daughter, Claudia, and other family members, as well as with various baseball personalities: writers, historians, broadcasters, and former and current players. If there is a shortcoming, it is that the documentary seems to bounce around quite a bit, which made it feel somewhat scattered. I think part of this was due to the brevity of the show. One hour is hardly long enough to go into any real depth regarding any one man’s life, especially a man like Ted Williams.