This is a great reading of Dan Gutman’s sequel to the classic poem, “Casey At the Bat.” The lady reading this publication of “Casey Back At Bat” does a really good job, and the illustrations in the book are fun to look at. Here we learn about why some of the biggest landmarks of the world look the way they do, and we also learn about Casey’s latest batting adventure.
William DeWolf Hopper was an American actor, singer, comedian, and theatrical producer during the late-19th and into the early-20th centuries. Born in New York Citty, DeWolf Hopper grew to become a star of vaudeville and musical theater, but he became best known for performing the popular baseball poem “Casey at the Bat.”
A lifelong baseball enthusiast and New York Giants fan, Hopper first performed Ernest Lawrence Thayer’s then-unknown poem “Casey at the Bat” to the Giants and Chicago Cubs on August 14, 1888. Co-performer Digby Bell called Hopper “the biggest baseball crank that ever lived. Physically, of course, he is a corker, but when I say big I mean big morally and intellectually. Why, he goes up to the baseball [Polo] grounds at One Hundred and Fifty-fifth street after the matinees on Saturday, and he travels this six miles simply to see, perhaps, the two final innings, and any one can imagine the rapidity with which he must scrape off the makeup and get into his street clothes in order to secure even this much. But he says the Garrison finishes are worth it, and he is perfectly right. Hopper always was a baseball crank, long before the public knew anything about it.”
Hopper helped make Thayer’s poem famous and was often called upon to give his colorful, melodramatic recitation, which he did about 10,000 times over the course of his career.
Here’s an enjoyable performance of Ernest Thayer’s “Casey At the Bat” by The West Point Band. The music is by Randol Alan Bass, and the poem is narrated by Rich DeMarco.
In 1946, Disney released an animated adaptation of Ernest Lawrence Thayer’s poem, “Casey At the Bat.” The short film proved so popular that in 1954, Disney made a sequel, Casey Bats Again, in which Casey’s nine daughters redeem his reputation.
I’m so glad we now live in a world where girls playing baseball is becoming more widely accepted and appreciated.
This piece is a parody of Ernest Lawrence Thayer’s “Casey At the Bat” that I stumbled upon, and it’s a pretty good one. Adam Morris Garfinkle does a really good job of maintaining the rhythm and spirit of Thayer’s piece while capturing the story of the Washington Nationals’ 2019 season. I found this poem published in tandem with a piece, also written by Garfinkle, titled “In Lieu of Opening Day: The Poetry of Baseball.”
*
[in gratitude, to Ernest Lawrence Thayer]
The prospect wasn’t bright at all for the Washington Nats in May;
Their record stood at 19 and 31, with 112 gruesome trials to play,
Turner he got injured, and ‘ol Zim he turned up lame;
Despondency settled upon the hometown fans, again and again and again.
A faithless few their precious season tickets went to pawn,
But most just sighed with wistful longing, their hopes cruelly smashed and torn,
They thought that if only their pathetic bullpen could finally come around,
The pall of desperation would at least be lifted from the mound.
They blew so many saves we despaired of keeping track,
Of hit-and-run and sacrifice bunts there certainly was a lack.
They bobbled grounders, overthrew first, and dropped innocent pop flies,
You’d have thought the guys were trying to play the game with ‘baca plugs glued upon their eyes.
Our heroes stumbled through a maze of ghastly springtime torpors;
At one point losing five games straight, even getting swept by them New Yorkers;
“Fire the manager!”, the disgusted minions insistently demanded.
As if that would have made any difference, to be perfectly candid.
At last faint embers of diamond life slowly began to glow,
In early June they finally managed to win four games in a row;
The bats all at once seem to jump, their Louisville sluggers did thrive,
The pitching improved significantly with a revised rotation of five.
Little by little they strove to turn their season right around,
By the All-Star Break they’d mostly healed and felt pretty gosh darn sound,
Before long they passed up the Mets, then swiftly dropped the Phillies,
Waving back to Bryce as they gave chase for Atlanta willy-nilly.
They never did catch ‘em, their goofy tomahawk chop to still,
But they played good enough to climb high enough upon the standings hill,
To wild card their way into the lustrous postseason playoffs,
Finishing the regular season with a win streak that handsomely paid off.
So it was that the Nats came face-to-face with the Milwaukee Brewers,
In a winner-take-all single game, fans’ nerves jangling as if on skewers
Scherzer fell behind early, three big runs to zip,
The lineup looked utterly punchless, not one batsman connected with a rip.
Strasberg came in to relieve Max, for his very first relief stint ever,
And shut down Milwaukee’s mighty crew in a masterful endeavor;
Then with but six outs between them and cursed oblivion,
The eighth inning became at last a friend, and started us a-singin’.
For Taylor got plunked (maybe), and Zim cracked a solid single,
Rendon then walked to fill the bases, and Soto solidly delivered ‘em.
Three runs came home before the dust had settled, their first lead of the game,
Then Hudson came in to shut the door, and the town went totally insane.
“Beat LA!” the crowd then chanted, but that demanded gallantry;
The mighty Dodgers had won 106 games, and the Nats a mere 93,
The first game was a six-zip shutout, things did not look at all good.
But the Nats won the second 4 to 2, they knew in their hearts they could.
Game 3 was an unmitigated full-frontal home field disaster,
LA scored ten runs and our faces turned to alabaster,
Now down two games to one in a short best-of-five series,
Our breathing went giddily shallow and our attitude turned quite leery.
The guys pulled out game four 6-1, to even the series two and two,
But back to LA they had to go for the crucial deciding set-to.
They fell behind again, three-nothing after two,
Exactly as in the Brewers game; hmm, could that be a clue?
They tied it in the eighth off Kershaw, the poor bedraggled fellow,
Rendon and Soto dinged him back to back, and we felt oh so mellow.
Then Howie Kendrick slammed the Dodger door shut in the tenth,
After which Mr. Excitement Sean Doolittle one-two-threed a breathless heaven-sent.
Then came Saint Louis for to joust the coveted NL Pennant,
This was to be no ordinary series, and we really truly meant it.
For oh how cruelly had the Cardinals crushed us back in 2012,
Erasing a 6-run Nats lead in game six, dropping us straight down into hell.
The Nationals were taking no prisoners this time around,
They chewed up the Red Birds, flung them hard down on the ground,
Plucked them but good they did, winning four games in a row;
No one believed the Nats could sweep ‘em; it only goes to show.
And so came the World Series, the Nation’s Capital exploded
With joy and rapture and mirth; some folks even got loaded.
Off to Houston the victors then made for to travel,
As serious underdogs surely, most thought, bound quickly to unravel.
But we whooped ‘em twice in Texas, ‘twas hard even to conceive!
Our spirits were buoyant, you bet your sweet life we believed.
Houston was supposed to be down in the great state of Texas, doc.
But the Nats left that city reeling in a total state of shock.
Not so fast countin’ your chickens, said the Astros, we ain’t done yet.
Then they won three straight in DC; d’ya think we got upset?!
Now down three games to two, and facing two more on the road,
The odds-makers smirked, the Nats’ll flush right down the hall-of-shame commode.
But we pulled out the first one 5 to 4, forcing a deciding game seven,
On the day before Halloween no less, we were jumpier than a flea in denim.
The guys got down two zip with but a measly nine outs to give,
It seemed that maybe, just maybe, the boys had finally run out of fizz.
But that’s not how it ended, I’m oh so glad to tell,
The guys sliced clean through the Astros bullpen pell-mell;
Howie lined one off the right-field foul pole; Houston sunk down in pain.
How he even hit Harris’s low outside sinker at all, no one could explain.
In the baseball dome of heaven dugout angels rejoiced on high,
The Big Train looked down on where Griffith used to be and plaintively cried,
Huzzah and hosannah, shouted Saint Kenesaw Mountain Landis,
Not since Calvin Coolidge was President have I seen anything so marvelously outlandish.
So hats off to the Nationals, true champions of baseball lore,
Bringing the Nation’s Capital its first Series win since 1924.
We even booed the President, and some held out snotty hankies.
The only way it could have been better? Had the Astros been the goddamn Yankees.
This parody of Ernest Lawrence Thayer’s “Casey At the Bat” was published in 2019 by Mitchell Nathanson, author of A People’s History of Baseball. Not only does it incorporate modern-day metrics like WAR, PitchTrax, and exit velocity, the poem also paints a frighteningly accurate picture of today’s in-stadium crowds. The piece is very well done, and in spite of shaking my head in recognition, I find that I rather enjoy it.
*
The outlook wasn’t brilliant for the Mudville nine that day;
The score stood four to two with but one inning more to play.
And then when Cooney whiffed again, the eighteenth K that night,
A sickly silence fell, for somehow baseball wasn’t right.
A straggling few got up and left, annoyed they even came;
And most who stayed were kind of drunk or wagered on the game.
Yet still to come was Casey, whom the fans had long extolled,
Though at the age of 31 the metrics deemed him old.
But first ahead was Flynn, a player much accursed;
His BABIP was atrocious, and his WAR was even worse.
Another guy came up as well, his name recalled by few;
Confusion sowed by double switches made in hour two.
But Flynn defied the numbers, making contact with the ball;
And sent it on a mighty arc — it caromed off the wall.
—The guy should be on third,— a salty graybeard spat and cursed,
As Flynn removed his batting gloves, a jogger still at first.
The other guy, as well, reached base, a waiver-wire addition;
Dropped by a last place club dumping salary without contrition;
And when the blaring music stopped, fans noticed what occurred,
Instead of crossing o’er the plate, young Flynn just jogged to third.
As Casey stepped into the box, the scoreboard roared “Make Noise!”;
Which the crowd most surely would’ve done, if not for all their toys.
About 5,000 hometown fans were checking in on Twitter;
So most remained oblivious to Casey as the hitter.
Ten thousand eyes were somewhere else as he scratched upon the dirt;
And Velcro-strapped his batting gloves and touched six places on his shirt.
And kissed his bat, then tapped the plate nine times or maybe 10;
Then from the box did Casey step, and start it all again.
The pitcher’s antics on the mound were also quite a show;
Whole seasons seemed to pass before he hinted at a throw.
Yet here it came, the cowhide sphere, arriving at great speed;
‘strike one,— the umpire firmly called. But PitchTrax disagreed.
The fans who watched upon their phones could see it plain: outside;
Unless their phones had zero bars, or batteries had died.
“Kill him! Kill the umpire!” the fans all stood and roared;
At least so roared the older ones, the younger ones seemed bored.
Two strikes remained. The oldsters, fretting, began to wring their hands;
While younger fans, in hour four, sped toward concession stands.
Then Casey dug in once again; the second spheroid flew,
But Casey still ignored it, and the umpire said, ‘strike Two.’
“Fraud!” cried the maddened few at all the blue-clad, rulebound fools,
While waving off the heady clouds sent up from nearby Juuls.
Now Casey’s face grew stern and cold, the fans all rose as one;
As midnight neared their hope was clear: just let the game be done.
As Casey runs the metrics, and adjusts his swing for lift;
The fielders check their little cards, and drift into a shift.
And now the pitcher fires a rocket off, despite his ample gut;
And now the air is shattered by great Casey’s uppercut.
Oh, somewhere in this favored land the sport is as it used to be;
And fans still hang on Casey’s fate, not exit velocity.
But that era’s gone — don’t cry into your $15 beer;
While all the laughing children shout, “Football season’s here!”
The 1978 World Series pitted the defending champion New York Yankees against the Los Angeles Dodgers in a rematch of the previous year’s World Series. Although the Dodgers won the first two games of the Series, the Yankees swept the next four, winning in six games to repeat as champions.
The Series featured some memorable confrontations between Dodgers rookie pitcher Bob Welch and Reggie Jackson of the Yankees. In Game 2, Welch struck Jackson out in the top of the ninth with two outs and the tying and go-ahead runs on base to end the game. In Game 4, Jackson avenged the strikeout when he singled off Welch to advance Roy White to second, allowing White to eventually score the game winning run on a Lou Piniella single. In Game 6, Jackson hit a two-run homer off Welch in the seventh inning to increase the Yankees’ lead to 7–2 and solidify the Yankees’ victory to win the Series.
The poem below was written by AP correspondent Jules Loh. In a tribute to the famous “Casey At the Bat” verse, Loh writes about Jackson’s Game 2 strikeout to Welch to end the game.
*
The outlook wasn’t brilliant
for the Yankees in L.A.
The score stood 4-3, two out,
one inning left to play.
But when Dent slid safe at second
and Blair got on at first
Every screaming Dodger fan had
cause to fear the worst.
For there before the multitude —
Ah destiny! Ah fate!
Reggie Jackson, mighty Reggie,
was advancing to the plate.
Reggie, whose three home runs
had won the year before,
Reggie, whose big bat tonight
fetched every Yankee score.
On the mound to face him
stood the rookie, young Bob Welch.
A kid with a red hot fastball —
Reggie’s pitch — and nothing else.
Fifty-thousand voices cheered
as Welch gripped ball in mitt.
One hundred thousand eyes watched Reggie rub his bat and spit.
“Throw your best pitch, kid, and duck,” Reggie seemed to say.
The kid just glared. He must have
known this wasn’t Reggie’s day.
His fist pitch was a blazer.
Reggie missed it clean
Fifty-thousand throats responded
with a Dodger scream.
They squared off, Reggie and the kid, each knew what he must do.
And seven fastballs later,
the count was three and two.
No shootout on a dusty street
out here in the Far West
Could match the scene:
A famous bat,
a kid put to the test.
One final pitch. The kid reared back
and let a fastball fly.
Fifty-thousand Dodger fans
gave forth one final cry…
Ah, the lights still shine on Broadway,
but there isn’t any doubt
The Big Apple has no joy left.
Mighty Reggie has struck out.
I had never considered the possibility that the mighty, fabled Casey would have a baseball card, but Robert Harrison has managed to spin an entire tale about it. Seen as even more valuable than a card for either Mantle or Cobb, the Casey baseball card causes quite an uproar in this piece.
*
The outlook wasn’t great for
finding Casey’s card.
The dealers denied they had him
as I fought against the mob.
And then as Cooney was seen in mint
and Barrows appeared the same,
a sense of elation came to me in this baseball hobby game.
A cardshark got fed up and passed me in despair.
The rest clung to their hobby hopes
and prayed the Casey card was near;
They thought, by the Topps high numbers,
if we could only find his card,
we’ll pay any price even if it’s marred.
Then Flynn (Casey’s mate) was found in very good-
a crease along his neckline stretched into his wood.
So they all bid to possess that crazy players card
until all turned to silence when Mr. Mint
got the final nod.
After Flynn, they found Jimmy Blake,
a tobacco card mistake;
For Blake was frayed and ugly and had
scratches on him from head to toe,
and the collectors were not interested
for the price he fetched was very low.
Then from fifty baseball card collectors
there rose a mighty roar.
It echoed from every table, it bounced off the floor,
it was carried by the newsmen
and was heard outside the door,
for the Casey card, the rarest card
now everyone saw.
There was a full gloss in Casey’s picture
as he posed beside the plate
there were full white borders and a hawkish
look upon his face.
And from an old shoebox he was raised above the crowd.
This symbol of the hobby now had everyone aroused.
Ten thousand dollars was offered;
the smell of gum hung in the air.
Five thousand more, said another,
as he took up on this dare,
Then while the price was raising
beyond the hopes of hobby folk,
a disbelief filled the children’s minds;
for they thought this all was a joke.
For this gem-mint card was dropped
and fluttered everywhere;
the rarest of cards went flipping
and gave them all a scare.
And as the people scattered,
poor Casey turned up tales
and silence filled this card show
and ended all the sales.
From the dealers came a mumble
that roused up to a roar.
Then the auctioneer came over
and looked down on what they saw.
“Raise him! Raise him!” shouted
the newsmen from the back.
But no one would pick up Casey
as he lay by some wax packs.
Like some curse from the devil,
Casey’s origin was on display
and the owner’s face turned to horror
for there would be soon hell to pay;
so he signaled to a friend to sell
a Mantle rookie card,
but the words on Casey’s back would forever
leave him scarred.
“Reprint!” shouted everyone at once,
and the echo answered “Reprint!”
to all this now lonely bunch;
But baseball card collectors are not a discouraged race,
for now the plastic pages were turning
at a faster pace.
They passed up a Wagner and ignored
a perfect Cobb, just to find
again the mighty Casey card
The smiles soon vanished from the children’s lips
as they too joined in this game;
and I who viewed these mental flips
thought everyone there insane.
And now someone gave a TV pitch
in search of this cardboard gold,
asking everyone to even check their attics
as this story is being told.
Oh, somewhere Casey’s card is out there,
or so these dreamers think,
for they will stir up this hobby nation
until they find this missing link;
and somewhere I am laughing,
for I made up that baseball card,
and the refinding of poor Casey
will indeed be very hard.
I have previously shared here variations of the legendary poem, “Casey At the Bat.” It’s interesting, coming across the various spin-offs and seeing how fans might opt to continue Casey’s tale. In this piece by Clarence McDonald, mighty Casey gets a chance to redeem himself — much later in his life.
*
The Bugville team was surely up against a rocky game;
The chances were they’d win defeat and not undying fame;
Three men were hurt and two were benched; the score stood six to four.
They had to make three hard-earned runs in just two innings more.
“It can’t be done,” the captain said, a pallor on his face;
“I’ve got two pitchers in the field, a mutt on second base;
And should another man get spiked or crippled in some way,
The team would sure be down and out, with eight men left to play.
“We’re up against it anyhow as far as I can see;
My boys ain’t hitting like they should and that’s what worries me;
The luck is with the other side, no pennant will we win;
It’s mighty tough, but we must take our medicine and grin.”
The eighth round opened- one, two, three- the enemy went down.
The Bugville boys went out the same- the captain wore a frown.
The first half of the ninth came round, two men had been put out,
When Bugville’s catcher broke a thumb and could not go the route.
A deathly silence settled o’er the crowd assembled there.
Defeat would be allotted them; they felt it in the air;
With only eight men in the field ‘twould be a gruesome fray,
Small wonder that the captain cursed the day he learned to play.
“Lend me a man to finish with!” he begged the other team;
“Lend you a man?” the foe replied; “My boy, you’re in a dream!
We came to win the pennant, too – that’s what we’re doing here.
There’s only one thing you can do – call for a volunteer!”
The captain stood and pondered in a listless sort of way.
He never was a quitter and he would not be today!
“Is there within the grandstand here”- his voice rang loud and clear
“A man who has the sporting blood to be a volunteer?”
Again that awful silence settled o’er the multitude.
Was there a man among them with such recklessness imbued?
The captain stood with cap in hand, while hopeless was his glance,
And then a tall and stocky man cried out, “I’ll take a chance!”
Into the field he bounded with a step both firm and light;
“Give me the mask and mitt,” he said; “let’s finish up the fight.
The game is now beyond recall; I’ll last at least a round;
Although I’m ancient, you will find me muscular and sound.”
His hair was sprinkled here and there with little streaks of gray;
Around his eyes and on his brow a bunch of wrinkles lay.
The captain smiled despairingly and slowly turned away.
“Why, he’s all right!” one rooter yelled. Another, “Let him play!”
“All right, go on,” the captain sighed. The stranger turned around,
Took off his coat and collar, too, and threw them on the ground.
The humor of the situation seemed to hit them all,
And as he donned the mask and mitt, the umpire called, “Play ball!”
Three balls the pitcher at him heaved, three balls of lightning speed.
The stranger caught them all with ease and did not seem to heed.
Each ball had been pronounced a strike, the side had been put out,
And as he walked in towards the bench, he heard the rooters shout.
One Bugville boy went out on strikes, and one was killed at first;
The captain saw them fail to hit, and gnashed his teeth and cursed.
The third man smashed a double and the fourth man swatted clear,
Then, in a thunder of applause, up came the volunteer.
His feet were planted in the earth, he swung a warlike club;
The captain saw his awkward pose and softly whispered, “Dub!”
The pitcher looked at him and grinned, then heaved a mighty ball;
The echo of that fearful swat still lingers with us all.
High, fast and far the spheroid flew; it sailed and sailed away;
It ne’er was found, so it’s supposed it still floats on today.
Three runs came in, the pennant would be Bugville’s for a year;
The fans and players gathered round to cheer the volunteer.
“What is your name?” the captain asked. “Tell us you name,” cried all,
As down his cheeks great tears of joy were seen to run and fall.
For one brief moment he was still, then murmured soft and low:
“I’m the mighty Casey who struck out just twenty years ago.”
Gushing with patriotism, the Second Inning of Baseball: A Film by Ken Burns begins with proclamations of the game of baseball being America’s “safety valve” and a montage of old baseball photos being scrolled to the sound of the national anthem and a spoken list of various American accomplishments during the early twentieth century.
Not all was perfect in the country, however, as Burns also points to an increase in racism across America, the growth of tenements, and a decline in baseball’s popularity. As it always does, however, baseball managed to recover. It was a time when small ball dominated the style of play, and pitchers like Christy Mathewson, “Three Finger” Brown, and Walter Johnson became legends on the mound.
Major league baseball entered the twentieth century in trouble, beset by declining attendance, rowdyism, unhappy players, and feuding, greedy club owners, but then divided itself in two, cleaned itself up, and succeeded beyond anyone’s wildest dreams. The World Series began, and season after season more than five million fans filled stadiums to see their heroes play, and countless millions more, who had never been lucky enough to watch them in person, followed their every move in the sports pages.
In part two of this documentary series, we see the rise of players like Honus Wagner and Ty Cobb, two of the most diametrically different players as the game has ever seen. We meet player-manager John McGraw, who approached the game with a furious kind of passion recognized throughout baseball. The “Christian Gentleman,” Christy Mathewson, also appeared on the scene playing for McGraw, and his precise pitching captured the attention of teams and fans across America. Together, Mathewson and McGraw’s Giants dominated the sport.
We also see the rise of Ban Johnson and the American League. The National Agreement brought peace between the new AL and the older National League, though the reserve clause remained intact, leaving ballplayers themselves with no voice in the administrative side of the game. And to no one’s surprise, I’m sure, overpriced concessions have been a staple of ballparks since the game became a business. This time period saw the introduction of hot dogs, served to fans in buns to allow them to hold them while watching baseball.
Once again, we see descriptions of racism in baseball followed closely by an update on the life of Branch Rickey. Burns hints at the impact of seeing discrimination on Rickey’s views. Later in this disc, there is a more in-depth discussion of black baseball, including the creation of the Negro Leagues led by Rube Foster. The documentary also introduces (though it really doesn’t dive much into) the concept of “bloomer girls,” women playing baseball during this time period.
Some of the most recognizable pieces in baseball pop culture also came into existence in the late-nineteenth and early-twentieth centuries. Franklin Pierce Adams’s poem, “Baseball’s Sad Lexicon,” also known as “Tinker to Evers to Chance,” was written in 1910, Ernest Thayer’s iconic poem “Casey At the Bat” (1888) was recited frequently by performers, and Jack Norworth’s “Take Me Out to the Ballgame” became the game’s anthem.
The Second Inning ends at the conclusion of the 1909 season, following a discussion of Fred Merkle’s 1908 boner and a more direct rivalry between Ty Cobb and Honus Wagner in the 1909 World Series. It’s hard to tell if Burns is particularly fascinated by Cobb, or if there are just too many good stories there to ignore, but Cobb does garner a fair amount of attention in this inning. Not that I’m complaining — I wouldn’t have wanted to play against him (and probably not even with him), but Cobb does add some color to the game’s history.
